Personalization And Counteraction

When a new reference frame for the narration of literature history has been established, the thesis takes some of Individual Writing in 1990s as the main object of study, selects Chen Ran and Lin Bai, Zhu Wen and Han Dong, Mian Mian and Wei Hui's works as the concrete penetrating point, inspects personalization of some novel characters on their modalities, causes, rationalities, biases and leanness by three special subjects that can take enter-access, thus discusses how various possibilities of 1980s' Individualism Literature were blocked or lost in 1990s. Then based on the unique metaphor function of literature to society, the thesis provides a little academic reference to adjust or counteract 1990s' personalization through the literature research.Considering any question will only presents itself in certain vision horizon or knowledge network, and a question can possibly present the completely different appearance in the different vision horizon or the knowledge network, therefore in the introduction part, the thesis establishes a kind of overall method at first which can be able to immerse and transcend freely all sorts of human stories new or old, and takes this overall method as methodological instruction for all discussions in the thesis.Chapter 1 reinspects and reappraises "Pan Xiao discussion", "WM (We)" as well as "the blanking of the community narration", thereout carries over a new kind of reference for literary history to research into 1990s' Individual Writing.In chapter 2, through the careful discrimination, the thesis defines 1990s' Individual Writing as the writing that is rooted in individual standard and separativeness and their multipling mutually. And explores external and intrinsic causes for 1990s' Individual Writing as a whole to be monotonous and poor, through inspecting contemporary history of literature, thoughts, politics, daily life, and so on.In chapter 3, 4, 5, the thesis researches in detail on Chen Ran and Lin Bai, Zhu Wen and Han Dong, Mian Mian and Wei Hui's works, discusses deeply the radicalness, the conservatism and the fruitlessness that personal survival patterns present. While affirming rationalities for individuals devoting into lust and private life after "Great Cultural Revolution", the thesis reveals varieties of costs the individuals pay, such as their infinite break and isolation from the world, their serious insufficiency to entering or reconstructing public space, their inability in face of all sorts of social orders, their self-colonization or self-castration in spirit, and so on,In the conclusion part, the thesis points out the duality or the multiplicity of the "middle figures" who place oneself between the strong and the weak, the vitalness and the possibility for the "middle figures" to take self-adjustment or self-counteraction, and further points out that the rebellion of the weak and the regeneration of the strong are equally important for us when reconstruct public space or construct new politicalization.