Study Of The Song Dynasty, A Puppet Play | Posted on:2008-11-27 | Degree:Doctor | Type:Dissertation | Country:China | Candidate:L L Liu | Full Text:PDF | GTID:1115360212988197 | Subject:Ancient Chinese literature | Abstract/Summary: | PDF Full Text Request | Puppet is an anthropopathic thing which made up with plastic material and can be controlled by external force. Puppet play is a kind of perform which the puppeteer control the puppet to incarnate his engaged intent. The concept used in this article more is the narrow sense connotation of the puppet play, which is perform a preselect story with puppet roles.The puppet play of our country peep inkling at the Han dynasty, and it appears prosperous complexion at Song dynasty after the gradually perfect during the tang dynasty. After the Song dynasty, because the drama's powerful impact, the puppet play no longer is flourishing, but it is not absolutely wane or extinction but it join on the carrier of drama, folk-custom and etc, pertinacious existing until now.The object of study of this article is the puppet play in the Song dynasty. The full text is divided into five chapters, the content of each chapter are briefly described as the flowing:In the first chapter the source of our country's puppet plays. Differentiating and analyzing the predecessor's some kinds of view on the nascence of the puppet play, and put out my own view about the nascence of out country's puppet play , which is the viewpoint of folk game. Demonstrating our puppet play formed in the south-north dynasty time; Indicating the development history of our country's puppet play from Sui and Tang dynasty to now.In the second chapter the literature and the cultural relic material are hackled, and briefly appraised them one by one. There are twenty-nine relative historical records and note material being selected. Compiled fifteen chants and poems in which there are six is not find in the relative written of predecessor; Commented eleven cultural relic of the puppet play.In the third chapter the physical figure of the puppet play in the song dynasty is researched, and demonstrated the Rod puppet is the evolution of "MOHELUO" in Song dynasty. Yao-Fa puppet is a puppet figure performing prearranged operant at prearranged orbit with the power of some mechanism .Flesh puppet possess two figure because it is come from the wean and young man impersonating Rod, suspensors puppet. The farther source of the film play is the "Sujiang" and"Bianwen" which prosperous in Tang dynasty, it is gradually formed in the prime time of north Song dynasty. There is no relation between the film play and the "play with simulacrum witchery". It should be a cartoon drama in fact.In the fourth chapter the art figure and the cause of bloom of the puppet play of SONG dynasty is analyzed. Verified the likely musical instrument, singing and the literary figure in the puppet play of song dynasty. One by one, analyzing the factor which possibly brought up the flourish of the puppet play of song dynasty, such as the politics, economy, society. Demonstrating Mr. bao's figure is wean or pygmy wearing a mask impersonating the act of old man. Its main feature is wiggery, and its histrionic ingredient is not much. The people in song dynasty make Mr. Bao be in the puppet showed that the puppet play has already extraordinary penetrate into everyday life, this also can be a evidence of the flourish of the Song dynasty's puppet play.In the fifth chapter, discuss the relationship between the puppet play in song dynasty and the Chinese classical drama. After brief analyze to some kinds of drama origin theory, there some length are used to expound, analyze and amend the view about the puppet of Mr. Sun kai di. And on this foundation, spreading discussion to the Chinese drama generation time and element. In the end I illuminate my own viewpoint with the form of mode-suppose. Our country's drama sprouted at the south and north dynasty, originated in the tang dynasty and finally formed in the two Song dynasty period. The source of drama also is not single, but the puppet play is the most important one of the numerous sources. The key of the drama's formation is the market, some quantitative producer( actor) and consumer (audience), enough performing time and fixed boardroom, market competition with market rule ,all of this is the cause urging so many factors formed and developed the new artistic form of drama. | Keywords/Search Tags: | Song dynasty, Puppet show, Rod puppet, suspensors puppet, Yao-Fa puppet, Flesh puppet, Shui puppet, Chinese drama | PDF Full Text Request | Related items |
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