Simple And Grandeur: The Aesthetic Style Of Opera In Yuan-Ming-Qing Dynasties

Simple and Grandeur is Chinese traditional aesthetic style of the two important national characteristics and rich aesthetic patterns. Both aesthetic patterns and Chinese classical literature and art are the two most common forms including classical aesthetic style. Yuan-Ming-Qing dynasties ( 元明清三代) theory and creative practice of Chinese profound and comprehensive proof of this.During opera style theory, mainly to the "elegant language" centred aesthetic style theory. Their theory is with idea and language, elegant and popular category and interrelationships, the whole thing is the opera style while simple and grandeur views. In the creative, Yuan Za-ju (元杂剧) include tow schools, nature color and elegant language.They were showing simple style and grandeur.Ming dynasty opera thing is the concentrated expression of the "nature color and expert" of the first, when the theory; The Ming dynasty opera concentrated expression in the grandeur thinking "elegant language" theory; The Ming dynasty opera works, the existing natural character of popular works demonstrate known simple and grandeur style.The Ming dynasty opera theorists known that while the simple and grandeur. In opera creation, the embodiment of such a pattern of aesthetic style works, including "Pi-pa Ji" (《琵琶记》) and "Mu Dan-ting" (《牡丹亭》) .Qing dynasty opera, inherit and carry forward the tradition of the Ming dynasty opera in style. Li-yu's (李渔) theory, the system in theory and color of the text word spoken, plain and simple language and in the simple and grandeur and based perspective. Hong-sheng (洪升) and Kong Shang-ren (孔 尚任) have inherited Tang Xian-zu's (汤显祖) ideas and aesthetic ideas of thing at the same time that the simple and grandeur focusing on the magnificent beauty.