Liangshan, the southwestern part of Shandong province, is situated in the place where the Zhongyuan mandarin and Jilu mandarins co-exist, and Liangshan dialect has numerous transitional features. Starting from the synchronic and diachronic approaches, the present dissertation studies sound changes in Liangshan dialect in an all-round way, presents a dynamic description of the dialectal features, and summarizes the general law regarding the sound flow changes. By contrasting the phonetic features of Liangshan dialect and other related dialects, the present dissertation studies the causes of the features of the Chinese dialects and their regional changes from the angle of dialect geography. And the present dissertation presents a quantitative analysis of dialect word-sound as a scientific basis for areas of dialects.The present dissertation is subdivided into Five Chapters, and the chief content of each chapter is as follows.Chapter One is Introduction, which gives a general introduction of the geographic location, historical changes and administrative division of Liangshan county. In addition, the dissertation gives a general account of the area Liangshan dialect belongs to, its phonetic features, interior differences and phonetic system of individual words. This part also points out the significance in selecting the present topic and its research method.Located in the southwestern part of Shandong province, Liangshan county is the place where the famous novel of All Men are Brothers took place,the Yellow River flows through its northwestern part and the Grand Canal flows through to the south. Historically, Liangshan belonged to Dongping, Shouzhang, Donge, Wenshang,Yuncheng, and Liangshan was established as a county in 1949.The phonetics of Liangshan dialect basically accords with the features of the Zhongyuan mandarin, with the coloring of Jilu mandarins. Most of sub-voiced Rusheng are in the group of Yinping tone, a few of them are in the group of Qusheng tone; The three groups of initials Zhi-zhuang-zhang and Kaikou-hong sound initials in Jing-group join together, reading as[ts ts's]; No matter in Hong or Xi sound, most of Hekou initials in Jing-group read as [tc tc' c] combine with Cuokou finals; the Hekou fricative of Zhi-system read as labiodental sound [fj; The three initials, Fei-fu-feng, in Hekou 3rd Deng of Zhi-xie rhyme systems read as [cy] or [fi]. Within Liangshan dialect, differences in pronunciation between the northwestern and the southeastern part are greater.Chapter Two deals with sound changes in speech flow. This chapter chiefly introduces tone sandhi, Er-hua sounds and others synchronic sound-changes in Liangshan dialect.First, a tone sandhi mode of disyllabic words is minutely described and given, and tone sandhi mode of disyllabic words in which the latter syllable is read lightly. In grammatical forms of Liangshan dialect, the single-letter tone has lost its restrictive function, while tone sandhi has become a fixed mode. The present dissertation gives a comparatively deeper discussion of the tone-sandhi mode characteristic of the dialect.Second, the present dissertation gives a detailed description of the Er-hua phenomenon in Liangshan dialect, providing informative materials of the Er-hua syllable and exemplary words. In the second place Er-hua in Liangshan dialect has different influence on finals, initials and tones. The present dissertation gives anaccount of the specific functions of the Er-hua and discusses the laws regarding the Er-hua sound-changes.Third, special sound-change in Liangshan dialect is discussed. Special sounds of place-names in and around Liangshan area contain laws regarding specific pronunciation. In place-names in and around Liangshan area there generally exists a zero-syllable phenomenon, but these left-over traces can only be clearly detected in preceding Shangsheng tone characters and Qusheng tone characters, while zero-syllable phenomenon in preceding Yingping tone characters and Yangping tone characters can never be detected. By analyzing the formation of zero-syllable phenomenon in Liangshan place-names, the present dissertation relatively scientifically explains how the specific sound shift comes into being. In addition, the present dissertation analyzes and discusses the specific pronunciation brought about by assimilation in sound changes in speech flow around Liangshan area.Chapter Three deals with synchronic sound-change. This is done by contrasting middle-age and ancient sounds regarding initial, final and tone system, so as to vertically grasp the flow of synchronic sound-change in Liangshan dialect. In the first place, having a modern viewpoint is necessary to look, at the ancient and middle-age sources for the initial, finals and tones. Second, the author starts from the middle-age and ancient sound, and observes separation and merging in Liangshan dialect sound system. The author makes use of a elaborately-designed diagraph to display the changes from ancient times to modern times, so as to reveal the features of the specific dialect as follows.First, features of Liangshan initials are examined from the ancient and modern evolution. All voiced initials become voiceless; Most of the characters from the three initials Fei-fu-feng read as [f], except that Fei group in He-kou 3rd Deng of Zhi-xie rhyme systems read as [cy] or [fi]. The characters from Kai-kou Jing-group read as [ts ts' s] or [t t ] respectively according to Hong-xi, while most characters from He-kou in Jing-group read as [tc tc' ], wether in Hong or Xi sound. Most of the initials in Zhi-system and Kaikou-hong sound initials in Jing group join together, reading as [ts ts's]. The He-kou fricatives of Zhi-system and Fei-group join together, reading as labiodental sound [fj. The characters from Jian-system read as [k k' x] or [tq t c] respectively according to Hong-xi. Most characters from Kai-kou 1st Deng in Initials Ying ang Yi read as voiced velar [yj.Second, the features of Liangshan finals are descryibed in the contrast between their ancient and modern sounds. Characters from Jian-system in Jie-jia rhyme of Kai-kou 2nd Deng of Zhi-xie rhyme systems have same sound with the characters from Jian-system in Ma rhyme of Jia rhyme system. There are more charaters reading as Cuokou-hu and more Cuokou-hu finals in Liangshan dialect. Fore-nasal finals are replaced by nasalized finals. Ru-sheng thymes join into Yang-sheng rhymes.Third, features of Liangshan consonant should be looked at through a contrast between modern tone and ancient initial consonant, and that shows that Lianshan Yinping tone comes not only from Yinping tone characters of ancient voiceless initials, but also from Rusheng tone characters of voiceless initials and sub-voiced initials. Yangpingl tone mostly comes from voiced initials, Shangsheng tone mostly comes from characters of the Shangsheng tone of ancient voiceless initials and sub- voiced initials; Qusheng tone characters mostly come from ancient voiced Shangsheng tone and total Qusheng tone characters, and few comes fromsub-voiced Rusheng tone characters.Fourth, I have taken sounds that do not seem to conform to the general evolution laws, and contrast them with other dialects, and analyze them word by word. I find some of these sounds are left over from earlier historical periods; others are evolved as a result of different influence.Chapter Four is a discussion of geography dialects about some phonetic features in Liangshan dialect. Starting from geography dialects, this chapter makes a dynamic discussion of geographic distribution of several sounds of Liangshan dialect, so as to study geographical distribution of the sounds; meanwhile, this chapter has the ancient and modern sounds as reference, discusses the formation process of peculiarities of Liangshan pronunciation. Starting from the characteristics of the sound system of the Chinese language, this chapter analyzes how the head vowel plays the decisive role in evolution process of the sound system of the Chinese language, and studies vertically from space and time the sound shift of Liangshan dialect and the transitional features.First, according to the distribution features of Round-mouth charaters of Zhi-system read in labiodental sound in Zhongyuan mandarin, compare and contrast the pronunciation in easten and westen areas of Zhongyuan mandarin. It is assumed that the head vowel [u] and its fricative trend proves that sound change is produced in the two areas, not a dialect shift produced by immigrants. Sound changes in Liangshan area show transitional features, and that is brought about by 1) incompleteness in geographical area, and 2) unsteadiness in pronouncing these.Second, by contrasting the pronunciation of the characers of Kaikou Hong sound of Jing group prevailing in western Shandong and that in Beijing, it is assumed that they have two types of reading: Zaozhuang type and Jinan type. The Zaozhuang type, wether in Hong or Xi sounds, they are read as [t tc' c], while in the Jinan type, except "$'\ "?fc\ "fa" and " fktt~*%mi$" etc.,mostof them are read by round-mouth finals. Liangshan is in the transitional area, and a quantitative analysis of the 100 round-mouth characters of Jing group in the three areas proves this transitional characteristics to be true.Third, the sub-voiced Rusheng tone in Liangshan dialect belongs to both Yinping tone and Qusheng tone, sharing the nature of the Central Plains mandarin and Hebei and Shandong mandarin. I've selected six local dialect points in Liaocheng, Yanggu, Dongping, Liangshan, Qufu and Heze, and made statistics of what group the 47 sub-voiced Rusheng characters belong to, and used figures to show how sub-voiced Rusheng tone in this area and divert and join, thus I provide a scientific basis for area of dialects.Chapter Five is a table of homophones, which provides basic materials of Liangshan dialect sounds.As a component part of the mandarin dialect, Liangshan dialect is influenced both by the common language and influential dialects. It is changing dramatically, and many of its linguistic features reflect such changes. So timely recording and describing of Liangshan dialect, making an dynamic observation of sound changes in Liangshan dialect, and drawing out the general law concerning sound changes of the Chinese language constitute the significance in selecting sound changes in Liangshan dialect as the topic of the present dissertation.
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