De Are Mongolia "geser" And Its Artists

Dedu Mongolian region is "Geser" epic's propagation path. This dissertation mainly studied Dedu Mongolian "Geser" epic and "Geser" singers. In this essay use few version of Dedu Mongolian "Geser" epic and author's field research material as reference.This dissertation consists of Introduction, three main chapters, conclusion and appendix.Introduction introduces the meaning and purpose of this topic, research methods and research overview.In first chapter, analyzes several versions of Dedu Mongolian "Geser" epic, and found that there are lots of differences among those versions. With analysis found that Dedu Mongolian "Geser" epic can be classified into the following types:Firstly, translated version of "Geser" epic. Some epic singers translate Tibetan "Gesar" to Dedu Mongolian "Geser". For example,"Geser" sang by epic singers like Uzier, Norjin. Secondly, the codification of "Geser" epic, with the spread of "Gesar", through epic singer's compile formed Dedu Mongolian "Geser". For instance, even though rappers do not understand Tibetan, but they listen to the translated "Geser" and compiled it. Third, there are some epics irrelevant with "Geser", included into "Geser" epic group. They put Dedu Mongolian traditional short, middle heroic epics into "Geser" field. It can't represent Dedu Mongolian traditional "Geser" epic. From above we can clearly see that,"Geser" sang by Norjin is more systematic and integrity and also very well known and recognized by academic circles, therefore I choose it as valuable text.In second chapter, compares Dedu Mongolian "Geser" with "Bejing Geser". First section, through the comparison of common and unique of two epics found that, both epics'content are similar to Tibetan "Gesar", and Dedu Mongolian "Geser" influenced by "Gesar" more apparently. Thus, it is possible that "Bejing Geser" is come from Dedu Mongolian "Geser". Second section, compares the commonness and individuality of characters in two versions of "Geser". The result of the comparison is:the scope of Dedu Mongolian "Geser" is much more concise, so the characters also have a larger gap. However, main characters has described in both epic poems. In third section, illustrate that Dedu Mongolian "Geser" has combined national conditions like geographic, social, historic and labor of epic singers who are known well the local customs, language and religion. Dedu Mongolian "Geser" epic distinguished from other Mongolian "Geser" epic with its unique characteristics.In third chapter, pursue the life of singers who is inheritors of Dedu Mongolian "Geser", and explore the overall feature of Dedu Mongolian rap artist. The first section, record the life history of epic rappers Uzier and Norjin through field study. In second section, with the illustration of life history of Suhe, who is an epic singer, attempt to study the role and status of Dedu Mongolian epic singers. It can be concluded that, they are representatives of Dedu Mongolian rap artists, they proficient in Tibetan and Mongolian, they are more talented than ordinary people, and they are not only epic singers but also the carriers and inheritors of Dedu Mongolian traditional custom, historical culture and medicine. The third section, summarize the unique Dedu Mongolian "Geser" singers' characteristics.Fourth chapter, analyzes the narrative structure of Dedu Mongolian "Geser", and did culture interpretation to traditional motif. The first section discussed the ancient Mongolian nature belief like the mountain belief, rock belief, soul belief. The second section illustrates the local customs reflect by Dedu Mongolian "Geser". Third Section explains that some local characteristics of motifs are the crystallization of Tibetan, Mongol, Tu three ethnic groups cultural exchange.In the conclusion, summarizes the whole dissertation.