| Based on the whole periodicals of the Ancient and Modern Legends-Chivalry Edition and Chivalry Novels (from 2001 to 2010), this article starts with the cross field of disciplines and explores the periodical industry and the literature periodicals' molding and impact on literature through the analytical approach of sociology and literature as well as communication and economics.In these 10 years, the mainland new Chivalry periodicals mainly relies on a multitude of mainland writers, also attract plenty of knight writers from Hong Kong, Taiwan and overseas. In these new writers, there are not only some writers with the potential of great masters such as Xiaoduan, Fengge, Wang Qingchuan, Shi Weihan, Fang Baiyu and so on, but also decades of other writers with different styles and their own characteristics. The women Chivalry novels writers were the newest event in the development of new knight novels. Take the Ancient and Modern Legends-Chivalry Edition for example, many women Chivalry novels writers compete with men Chivalry novels writers. Some writers from Hong Kong and Taiwan, such as Sun Xiao and Nine knives and so on become involved in the mainland new Chivalry novels and make contributions to the Chivalry literature in the new century. Through Chivalry literature, oversea Chinese can find the way to their mother culture.In the 10 years'works, these new Chivalry novels feature diversification including realism, Romanism and Post Modernism. They also reflect the prevalence in a certain time and phase cycle. New features emerge from New Chivalry novels and they are embodied in new knights, new Chivalry, new situations and new power that women Chivalry novels writers express.These works were completed with the periodicals as carriers and with different literature fields based on media they differ in writers'writing environment and methods, the means of circulation and target readers. These two periodicals have impacted on the mainland new knights novels by specific mediums. The enterprise-planning, editorial policy and placement of features in the periodicals mirror the reform on literature mode.As mediums, the periodicals change the essence of literature, the mode of production of literature, and the base that the Chivalry literature exists. The Chivalry novels have changed greatly from external presentation and internal narration. The producing, operating and spreading of cultural industry plays a direct role in the Chivalry literature.As periodicals in the cultural industry, they themselves are directly influenced by the economy and industry background. The development of cultural industry, the progress of urbanization, and the boosting of science and technology have influenced the Chivalry literature. Chivalry novels are more likely to become the quarry that people hunt for in the cultural industry. Creation is the key to break through the dilemma of Chivalry literature. The Chivalry literature still confronts with lots of practical difficulties.The significance of above research lies in the following three points. Firstly, it breaks the limitation of Chivalry novels research which was confined in the old Chivalry novels in the Republic of China (1912-1949) and the new Chivalry novels in Hong Kong and Taiwan. And it makes research on the special cases of new Chivalry novels in the early 10 years of 21st century. Secondly, it breaks the sole research field of periodical communications. Thirdly, it breaks the sole research of literature and culture in Chivalry literature. This study values the economic base's the key role in the superstructure. Combining the environment of economy development and the background of cultural industry, this article makes a deep thorough research on the literariness of knight literature, the transmissibility of periodicals and the literature industry. It is very important for us to explore the industry experiences of Chivalry literature, the media's guiding and introduction to literature, and the way to mass culture qualities.
|
PDF Full Text Request