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Keyword [radio]
Result: 141 - 160 | Page: 8 of 9
141. French radio drama from the interwar to the postwar period (1922--1973)
142. Hot talk or hot air: The relationship between values and listening to political talk radio
143. Processes and outcomes in the creation of radio commercial advertising: A two-step qualitative analysis
144. Receptive Combines, Compositions, and Crowds: The Radio-Works of Robert Rauschenberg and John Cage
145. Imagining language: Linguistic stylization among radio disc jockeys
146. Radio blues: Literature, mass communication and the human voice in Depression America (Kenneth Burke, John Dos Passos, Henry Roth)
147. Policy and culture in the digital age: A cultural policy analysis of the United States commercial radio industry
148. Shaping Mexico Lindo: Radio, music, and gender in Greater Mexico, 1923--1946
149. Evaluation of a Reduced Modified Rhyme Test for Assessing Speech Intelligibility in Radio Communications
150. A semiological analysis of Contemporary Christian Music (CCM) as heard on 95.5 WFHM-FM Cleveland, Ohio 'The Fish' radio station (July 2001 to July 2006)
151. The rhetorical dimensions of radio propaganda in Nazi Germany, 1933--1945
152. One nation on the air: The centripetalism of radio drama and American civil religion, 1929-1962
153. A Historical Analysis of Adventist World Radio's Impact in the East Central Africa Division of the Seventh-day Adventist Church: A Case Study of Tanzania
154. Radio, rubble, and reconstruction: The genre of Funkoper in postwar occupied Germany and the German Federal Republic, 1946-1957
155. Radio Taino and the globalization of the Cuban culture industries
156. 'Wade in the Water', the public radio series: The effects of the politics of production on sacred music representations
157. From teahouse to radio: Storytelling and the commercialization of culture in 1930s Shanghai
158. Sozialkritik in den Hoerspielen Friedrich Duerrenmatts
159. A sociolinguistic study of diglossia of Egyptian Radio Arabic: An ethnographic approach
160. Jazz and Radio in the United States: Mediation, Genre, and Patronage
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