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Keyword [preludes]
Result: 101 - 120 | Page: 6 of 9
101.
Performance Interpretation Of Zhang Shuai’s "Atonal Preludes"
102.
A Study Of Chromatics In The Orchestration Luc Brewaeys’s Orchestral Edition Of Debussy’s 24 Preludes As Examples
103.
On The Music Analysis And Perfotmance Annotatin Of Dmitri Kabalevsky’s Six Preludes And Fugues
104.
Analysis Of The Creative Characteristics And Performance Of Zhang Shuai’s Three Preludes Op.18
105.
The Fusion Of The Han Pentatonic Scales And Jazz Elements
106.
Analysis And Research Of Messien's Eight Piano Preludes
107.
The Rhythm Characteristics And Performance Interpretation Of Zhang Shuai's "Three Preludes"
108.
Exploration Of Zhang Shuai's "Three Piano Preludes"
109.
An Analysis Of Gu Shengying's Performance Of Chopin's "Prelude" Op.28-24
110.
Analysis Of The Performance Of BWV891 In Bach's "Equal Temperary Keyboard Music Collection"
111.
Research On The Performance Of Scriabin's "24 Preludes", Op 11
112.
Music Analysis And Performance Analysis Of Zhang Shuai's "Three Preludes"
113.
The Jazz Style And Performance Analysis Of Gershwin's Three "Piano Preludes"
114.
Rodion Shchedrin's 'Twenty-Four Preludes and Fugues': Historic, analytic, performance, and pedagogic perspectives
115.
An analytical study of York Bowen's Twenty-Four Preludes in all Major and Minor Keys, Op. 102
116.
Dmitry Shostakovich's Twenty-Four Preludes and Fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance
117.
Twentieth-century performance practices of preludes non mesures by Louis Couperin
118.
A man of two worlds: Classical and jazz influences in Nikolai Kapustin's Twenty-Four Preludes, Op. 53
119.
A realization and application of appropriate French Baroque ornamentation for the first four preludes of 'L'Art de Toucher le Clavecin' by Francois Couperin
120.
Improvisation of keyboard preludes in the style of J. S. Bach: A practical method comprising techniques derived from selected keyboard works
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