Keyword [pinter]
Result: 81 - 100 | Page: 5 of 7 |
| 81. | The Memory Writing And Ethical Predicaments In Pinter's Memory Dramas |
| 82. | The Representation Of Memory In Harold Pinter's Plays |
| 83. | From Chekhov To Pinter |
| 84. | Male Imagination Of Females In Pinter's All-male Plays |
| 85. | The "dramatic" Disease And The "pathological" Drama |
| 86. | Synesthetic landscapes in Harold Pinter's theatre: A symbolist legacy |
| 87. | Brutal spaces: Political discourse in the later plays of Harold Pinter, 1980--1996 |
| 88. | Res videns: The subject and vision in the plays of Samuel Beckett, Sam Shepard, and Harold Pinter |
| 89. | Positive influence: Harold Pinter and the In-Yer-Face generation |
| 90. | Finding a voice: Allowing the aggrieved to speak across cultures in Barmak, Pinter, Kushner, Nafisi and Seierstad |
| 91. | Representation of marriage in selected Harold Pinter plays |
| 92. | Memory-theatre of Harold Pinter, Tadeusz Kantor, and Heiner Mueller |
| 93. | 'The heartaches and the thousand natural shocks that flesh is heir to': The body politics of trauma in Pinter's 'The Dwarfs', 'The Room', 'A Slight Ache', and 'The Homecoming' (Harold Pinter) |
| 94. | The mother as the Other: A psychoanalytic and feminist reading of motherhood in Ibsen, O'Neill and Pinter (Eugene O'Neill, Harold Pinter, Henrik Ibsen) |
| 95. | Metaphorical worlds in Samuel Beckett's 'Endgame' and Harold Pinter's 'Ashes to Ashes' (Ireland, France) |
| 96. | The flame in the grate: The Kullus character in a selection of Harold Pinter's early works |
| 97. | A silence beyond echo: Harold Pinter's political theatre |
| 98. | The slight ache: Harold Pinter and modernity |
| 99. | Harold Pinter's play with form: A cross-media analysis of his texts |
| 100. | 'What's going on here': The actor and the phenomenon of mystery in the plays of Harold Pinter |
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