Font Size:
a
A
A
Keyword [performance practice]
Result: 61 - 80 | Page: 4 of 5
61.
Arnold Schoenberg's 'Pierrot lunaire': A study of Sprechstimme and vocal performance practice through sound recording
62.
Staging of Musical Drama in Italy at the Turn of Seventeenth Century A History of Theatrical Production
63.
Performance practice of the Brahms Clarinet Quintet, Op. 115
64.
A history of the performance practice of Mozart's Fantasie and Sonata K. 475/457
65.
The InterPlay performance practice: Play and social change in late capitalism
66.
A Newly Commissioned Work for Cello, A Recording and Performance Practice Guide
67.
Communal song and the theology of voice in medieval German mysticism
68.
Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni
69.
A pianist's guide to practicing and preparation of the first movement of Haydn's Piano Sonata in E-flat major, No. 62
70.
Music and Art: A Discussion of Performance Practice Issues in Satoshi Yagisawa's 'La Promenade, la femme a l'ombrelle---An Artwork of Claude Monet'
71.
'Livre d'orgue de Montreal': Classical French organ performance practice
72.
The performance practice of embellishing Schubert's songs
73.
The Two-part Inventions of J. S. Bach: A performing edition based upon the keyboard technique and performance practice of Bach and his circle
74.
Marcel Moyse between two centuries: Examining early twentieth-century French flute performance practice through recordings
75.
Understanding French Baroque performance practice via a modern edition of Jean -Philippe Rameau's 'In convertendo
76.
About Face Theatre: Case studies in theory, aesthetics, politics, and performance practice
77.
Performing the music of Alonso Mudarra: An investigation into performance practice in the music of the vihuelistas
78.
Tooters and tutors: Flute performance practice derived from pedagogical treatises of the Paris Conservatoire, 1838-1927
79.
EMBELLISHING SCHUBERT'S SONGS: A PERFORMANCE PRACTICE
80.
THE MUNICH KAPELLE OF ORLANDO DI LASSO (1563--1594): A MODEL FOR RENAISSANCE CHORAL PERFORMANCE PRACTICE (GERMANY)
<<First
<Prev
Next>
Last>>
Jump to
