Keyword [first-person] Result: 101 - 120 | Page: 6 of 7 |
101. | On The Absence Of The First-person Narrator In Lu Xun's "Hell" And "Wandering" |
102. | Psycho-spiritual components in Multiplayer Online First Person Shooter Xbox videogaming |
103. | First-person singular pronouns in Japanese: How do they work in conversation |
104. | The 'I' of my story |
105. | Kant's ontology: Reality and the formal structure of the first person perspective |
106. | As soul to body: The interior act of the will in Thomas Aquinas and the importance of first-person perspective in accounts of moral action |
107. | Cumulative use of multiplayer online first-person shooter video games and self-reported aggression: A correlational study |
108. | Narrative ethics in the first -person prose of Fyodor Dostoevsky and Witold Gombrowicz |
109. | The other 'I': The new narcissism of postmodernism. First person non-protagonist narrators in novels by Jose Donoso, Elena Garro, Gabriel Garcia Marquez and Mario Vargas Llosa |
110. | Reflections on the environment and the first person point of view (Edmund Husserl) |
111. | Knowledge and the first-person perspective |
112. | Spatial Rotation, Aggression, and Gender in First-Person-Shooter Video Games and their Influence on Math Achievement |
113. | Single-mindedness: Language, thought, and the first-person (Crispin Wright, Donald Davidson, Robert Brandom, John McDowell) |
114. | Deixis and first-person narrators: A diachronic study of the American short story |
115. | The story of the I: First persons and others in eighteenth-century narrative |
116. | Grounding and deixis: A study of Japanese first-person narrative |
117. | Pushkin's 'Evgenij Onegin,' Dostoevsky's 'Besy,' Capek's 'Hordubal,' and Kundera's 'Zert': The first-person novel in Czech and Russian literature |
118. | Memory plays: Historical and narrative analysis of mediacy in first-person focalized drama (Tennessee Williams, Peter Shaffer, Brian Friel, Larry Kramer) |
119. | Discourse grammar of first person narrative in Plang |
120. | The politics of first-person narrative in modern Chinese fiction |
|