Keyword [clarinet]
Result: 121 - 140 | Page: 7 of 8 |
| 121. | Ultrasonographic investigation of clarinet multiple articulation |
| 122. | A stylistic analysis of three flute pieces by David Froom: Circling for flute and clarinet, To Dance to the Whistling Wind for solo flute, and Lightscapes for flute and piano |
| 123. | Three composer-clarinetist partnerships: Mozart-Stadler, Weber-Baermann, and Brahms-Muehlfeld |
| 124. | A study and analysis of Leon Russianoff's clarinet method |
| 125. | The pedagogy of the clarinet masters of the Aspen Music Festival |
| 126. | The Technical and Expressive Aspects of the Clarinet in the Chamber Music of Ned Rorem |
| 127. | Reevaluating twelve-tone music: Analytical issues in the second movement of Anton Webern's Quartet for Violin, Clarinet, Tenor-Saxophone and Piano, Op. 22 |
| 128. | Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire |
| 129. | Performance practice of the Brahms Clarinet Quintet, Op. 115 |
| 130. | An educational approach to clarinet performance: A comparative study |
| 131. | A clarinet repertoire software database for college teachers |
| 132. | A Recording Project Featuring Four Newly Commissioned Pieces for Clarinet |
| 133. | A Recording Project of Three Commissioned Works for Unaccompanied Clarinet by Taiwanese Composers |
| 134. | Instances for clarinet and electronics (Original composition) |
| 135. | The Influence of Technical Proficiency On Clarinet and iPad Improvisation Achievement |
| 136. | A study of the acoustical properties of the clarinet in order to predict playing frequencies |
| 137. | A Recording and Performance Guide for Three New Works Featuring Clarinet and Electronics, Clarinet and Piano, and Clarinet, Bass Clarinet, and Piano |
| 138. | COMPARISON OF CELL AND TISSUE DIFFERENCES IN GOOD AND UNUSABLE CLARINET REEDS |
| 139. | Sizhu for flute, clarinet in b-flat, violin, cello, piano, and percussion |
| 140. | A Comparative Study of Nineteenth-Century Works for Clarinet Based on Motives From the Operas of Gaetano Donizetti with an Analysis of Virtuosic Operatic Fantasies From the Operas Anna Bolena, La Favorita, Lucia di Lammermoor, and Lucrezia Borgia |
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