bach's - Globe Thesis - Globe Thesis

Keyword [bach's] Result: 101 - 120 \| Page: 6 of 8
101.	A Conductor's Guide to J. S. Bach's Quinquagesima Cantatas
102.	Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni
103.	A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture
104.	Unlocking the affections in J. S. Bach's Flute Sonata in E minor, BWV 1034
105.	A comparative analysis of J. S. Bach's three partitas for solo violin
106.	J. S. Bach's keyboard partitas and their early audience
107.	J. S. Bach's Suite in C Major for violoncello solo: An analysis through application of a historical approach
108.	Form and function in the slow movements of J. S. Bach's Three Sonatas for Solo Violin, BWV, 1001, 1003, and 1005
109.	Symmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'
110.	A pedagogical edition and performer's guide to J. S. Bach's cello suites (BWV 1007--1010) transcribed for the violin
111.	J. S. Bach's Partita in E minor, BWV 830: Motivic analysis and its influence on interpretation
112.	Musical rhetoric in J. S. Bach's two-part inventions and implications for their performance on the modern piano
113.	A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'
114.	The performances of J. S. Bach's music in the Hong Kong Arts Festival: A case study of Bach reception in Hong Kong
115.	Extemporization of J. S. Bach's 'Goldberg Variations' BWV 988: The varying of reprise with improvised embellishments
116.	From continuo to obbligato cembalo: A study of the changing role of the harpsichord in J. S. Bach's harpsichord concertos and solo sonatas with obbligato cembalo
117.	The 'mistuned' cello: Precursors to J. S. Bach's Suite V in C minor for unaccompanied violoncello
118.	Written-out ornaments in J. S. Bach's organ music as a model for improvised ornamentation
119.	The controversy over Bach's trills: Towards a reconciliation
120.	Johann Pachelbel's cantata 'Christ lag in Todesbanden': Its significance as a possible model for J. S. Bach's Cantata No. 4
<<First <Prev Next> Last>> Jump to