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Keyword [bach's] Result: 81 - 100 \| Page: 5 of 8
81.	A Study On The Performance Of The "Prelude" In Bach's "Cello Suite No.2"
82.	The Performance Analysis Of Bach's �Well-tempered Clavier Volumes� BWV862
83.	The Musical Characteristics And Performance Analysis Of Bach's Ancient Suites
84.	Performance Analysis Of Bach's Patita In C Minor (BWV826)
85.	An Analysis Of The Musical Style And Performance Of Bach's Oboe Concerto In D Minor
86.	On The Musical Style And Performance Skills Of Bach's "Italian Concerto"
87.	Analysis Of The Performance Of BWV891 In Bach's "Equal Temperary Keyboard Music Collection"
88.	The chorale cantatas of Felix Mendelssohn-Bartholdy: An examination of Mendelssohn's translation of J.S. Bach's musical syntax and form
89.	Representation of 'the world' in the church cantatas of Johann Sebastian Bach
90.	he effect of performance errors on perceptions of performance quality in J. S. Bach's Bouree from The Suite for Unaccompanied Cell
91.	The sarabandes from J. S. Bach's six suites for solo cello: An analysis and interpretive guide for the modern guitarist
92.	The long chorale preludes of J. S. Bach (1685--1750): Study of accompaniments together with three recitals of selected works by Dietrich Buxtehude (1637--1707), J. S. Bach, Louis Vierne (1870--1937), and others
93.	Opposition as a guiding principle for performance in J. S. Bach's 'Die Kunst der Fuge'
94.	Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices
95.	Old wine in new bottles. Felix Mendelssohn-Bartholdy's chorale cantatas: J. S. Bach's models become 'Romanticized'
96.	A reconsideration of the performance of the chorales in J.S. Bach's 'Passio Secundum Johannem', BWV 245 and the influence of harmonic language and Baroque Affekt on modern performance practices
97.	The Interaction of Thematic Design and Tonal Structure in the Keyboard Suites of J. S. Bach
98.	The role of the 12/8 time signature in J. S. Bach's sacred vocal music
99.	Formal coherence in J. S. Bach's Three Sonatas for Solo Violin, BWV 1001, 1003, and 1005
100.	Interpreting J. S. Bach's solo violin sonatas and partitas through Leopold Mozart, Joachim Moser, and Galamian
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