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Keyword [Willa]
Result: 141 - 160 | Page: 8 of 10
141. The Catherian cathedral: A study of Gothic cathedral iconography in Willa Cather's fiction
142. Songs of desire and the self: Opera in the work of Walt Whitman, Henry James, Willa Cather, and Gertrude Stein
143. Selling the Country's Secrets: Willa Cather's Eco(self)criticism in 'My Antonia' and 'The Professor's House'
144. American regionalist modernism: Willa Cather, William Faulkner, Oscar Zeta Acosta, and Sandra Cisneros
145. 'My Antonia' and Willa Cather's reciprocal regionalism and W.T. Benda's illustrations
146. The reluctant Madonna: Mothers on the margins in the works of Mary E. Wilkins Freeman, Alice Dunbar-Nelson, Willa Cather, and Angelina Weld Grimke
147. Willa Cather's 'O Pioneers.' As a response to Kate Chopin's 'The Awakening'
148. 'The world, our home': The rhetorical vision of women's clubs in American literature, 1870--1920 (Charlotte Perkins Gilman, Kate Chopin, Sarah Orne Jewett, Willa Cather, Mary Austin)
149. Recovering the extra-literary: The Pittsburgh writings of Willa Cather
150. Willa Cather, migrant intellectual: Reading Cather's novels using theories of migration and diaspora
151. Troubling bodies in the fiction of Willa Cather
152. Different dispatches: Journalism in American modernist prose (Willa Cather, Sherwood Anderson, Ernest Hemingway, Zora Neale Hurston, James Agee, Robert Penn Warren)
153. 'Above the noise and the glory': Tiers of propaganda in Great War literature (Rupert Brooke, Mary Borden, Alice Dunbar-Nelson, Willa Cather)
154. Education in irony: United States 'literacy crisis' and the literature of American Bildung (Henry James, Theodore Dreiser, James Weldon Johnson, Willa Cather)
155. Between the angle and the curve: Mapping gender, race, space, and identity in selected writings by Willa Cather and Toni Morrison
156. America and its discontents: Cynicism in the American modernist imagination (Henry Adams, Willa Cather, F. Scott Fitzgerald, Nathanael West)
157. Geographies of power in Willa Cather, Gabriel Garcia Marquez, and Dorothy Allison
158. Transplanting the novel of manners to American soil: Willa Cather and the democratization of manners
159. Willa Cather and Georgia O'Keeffe: Modernism and the importance of place in color, light, and imagery
160. In the footsteps of Thoreau: The evolution of the Native American as character and symbol in the works of Warren, Cather, and Faulkner (Henry David Thoreau, Robert Penn Warren, Willa Cather, William Faulkner)
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