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Keyword [Walter benjamin]
Result: 61 - 80 | Page: 4 of 6
61. The ends of law: Walter Benjamin's conception of history
62. Living politics by awakening history: A critical approach to Walter Benjamin through Sigmund Freud
63. Profane dynamic, messianic intensity and the rhythm of happiness: A commentary of Walter Benjamin's 'Theologico-Political Fragment
64. Walter Benjamin and the city: Theories of modernity through the lens of nineteenth century Paris
65. Squaring Walter Benjamin's Religious, Political, and Aesthetic Positions
66. A critique of the messianic theology of Juergen Moltmann through the messianic philosophy of Walter Benjamin: Staying with the negative
67. Space as storyteller: Benjamin, Marinetti, Calvino and Perec (Walter Benjamin, Filippo Tommaso Marinetti, Italo Calvino, Georges Perec, France, Italy)
68. The Memory of Things: Walter Benjamin's Modernity
69. Mortification and fragment: A music-analytical application of Walter Benjamin's critical methodology (Samuel Barber)
70. Mimesis in communicative action: Habermas and the affective bond of understanding (Juergen Habermas, George Herbert Mead, Walter Benjamin)
71. 'The gift of the moment': Walter Benjamin and comics history
72. Walter Benjamin's Concept of Philosophical Critique
73. Under a new law: Walter Benjamin's 'literary montage' and the collage poetics of Susan Howe and Anne Carson
74. On the threshold of language: Critique and therapy in Kant, Schlegel, Wittgenstein, and Benjamin (Immanuel Kant, Friedrich von Schlegel, Ludwig Wittgenstein, Walter Benjamin)
75. Urban aesthetics: City, cinema and myth. From Walter Benjamin to 'Metropolis' (Spanish text, Fritz Lang, Germany)
76. Between the garden and the gathering: The intertwining of philosophy with theology in Walter Benjamin
77. The conservative character: Walter Benjamin and the politics of the poets
78. Fragmentary modernity and the discourse of difference and sameness: Walter Benjamin, Baudelaire, and T. S. Eliot
79. Forms of disenchantment: Kant and Neo-Kantianism in the early work of Walter Benjamin
80. Walter Benjamin, Bertolt Brecht, and film as an aesthetic medium
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