Keyword [Vladimir Nabokov]
Result: 41 - 60 | Page: 3 of 4 |
| 41. | Polyglot rhetoric and the construction of subjectivity: The effect of doubling, reflection, and thematic patterning in the fiction of Joseph Conrad and Vladimir Nabokov |
| 42. | Networks of Displacement: Genealogy, Nationality, and Ambivalence in Works by Vladimir Nabokov and Gary Shteyngart |
| 43. | Monstrous kinships: Obsession and child psychotraumatology in the novels of Mary Shelley, Herman Melville, Thomas Hardy, Stephen Crane, and Vladimir Nabokov |
| 44. | The double redux: Multiplying identity in postmodernist fiction (Jorge Luis Borges, Argentina, Alain Robbe-Grillet, France, Tahar Ben Jelloun, Morocco, Paul Auster, Vladimir Nabokov) |
| 45. | The translator's doubts: Vladimir Nabokov and the ambiguity of translation (Russia) |
| 46. | The virtue of devils: Vladimir Nabokov's phenomenology of the demonic |
| 47. | Prophets of disaffect: Antisocial individualism in the contemporary American novel (Norman Mailer, Vladimir Nabokov, Cormac McCarthy, Don DeLillo, James Ellroy) |
| 48. | Tongues untied: Metaphors of multilingualism in the writings of Vladimir Nabokov, Jose Donoso, and Augusto Roa Bastos (Russia, Chile, Paraguay) |
| 49. | Visions and re-visions: Nabokov as self-translating author (Vladimir Nabokov) |
| 50. | A book of her own: Postmodern practices in contemporary American women's experimental literature (Louise Erdrich, Lorrie Moore, Carole Maso, Vladimir Nabokov, John Barth, Ishmael Reed) |
| 51. | Successful translation: Negotiating migratory experience in the literary works of Vladimir Nabokov, Salman Rushdie, and Milan Kundera (India, Czech Republic) |
| 52. | Black blood/red ink: Fact, fiction, and authorial self-representation in Vladimir Nabokov's 'Look at the Harlequins!,' Marguerite Duras' 'L'Amant de la Chine du Nord,' and Philip Roth's 'Operation Shylock: A Confession |
| 53. | The literary reputations of Eileen Chang and Vladimir Nabokov |
| 54. | Space and memory in Vladimir Nabokov's fiction |
| 55. | Imaginary worlds and cultural hybridity in Isak Dinesen, Vladimir Nabokov and Salman Rushdie (Denmark, India) |
| 56. | Irony and textuality in Vladimir Nabokov's short stories (Spanish text) |
| 57. | Dipping into chaos: Incest and innovations in twentieth-century narrative (F. Scott Fitzgerald, Tove Ditlevsen, Denmark, Vladimir Nabokov, Alice Walker, Henry Roth) |
| 58. | Innocence and rapture: The erotics of childhood in aestheticism (Henry James, Vladimir Nabokov, Walter Pater, Oscar Wilde, Ireland) |
| 59. | Memory as space: The created Petersburg of Vladimir Nabokov and Iosif Brodskij |
| 60. | The author as hero: Self and tradition in Mikhail Bulgakov's 'The Master and Margarita', Boris Pasternak's 'Doctor Zhivago', and Vladimir Nabokov's 'The Gift' |
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