Font Size: a A A
Keyword [Transcriptions]
Result: 61 - 80 | Page: 4 of 5
61. Study On The Artistic Features Of Piano Transcriptions Of Chinese National Instrumental Music
62. Wang Jianzhong Piano Transcriptions "Plum Blossom Three" Distinguishing Feature Research
63. The Performance Aspects Of Erhu Transcriptions In The Style Of North Eastern Chinese Folk Music From The Study Of The Piece-"Joyous Snow Lantern Festival"
64. The Research On The Performance Of Heller's Etude Op.154
65. Interpretation And Performance Of Orchestral Transcriptions And Arrangements For Solo Harp
66. An Experimental Study On The Effects Of Voice-to-Text Software On MTI Students' C-E Consecutive Interpreting Performance
67. Research On Teaching Value Of Lin Hua's Piano Collection Of Chinese And Foreign Folk Songs
68. A Study On The Personality Characteristics And Performance Skills Of Rachmaninoff'S Piano Adaptation"Love's Sorrow"
69. The transcriptions of Vladimir Horowitz
70. An analysis of three choral transcriptions for winds by Eric Whitacre
71. Elements of style in French Baroque guitar music: A survey of the printed sources 1663--1705, with transcriptions and analyses of selected works
72. The clarinetist as vocalist: Transcriptions of Mozart arias to teach lyricism
73. New perspectives: Transcriptions for the viola
74. Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni
75. New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke
76. An Examination of Alexander Siloti's Printed Solo Piano Transcriptions of Works by J. S. Bach
77. Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcriptions of selected keyboard works by J. S. Bach
78. Transcriptions of Renaissance and Baroque polyphony for high school band
79. Towards an understanding of Canadian traditional song style through analyses of descriptive transcriptions using field recordings made by Edith F. Fowke in the Peterborough area of Ontario during the years 1957 to 1959
80. Cross Training for Tuba: A Pedagogical Approach to Improving the Performance of Tuba Literature Through the Use of Transcriptions
  <<First  <Prev  Next>  Last>>  Jump to