Keyword [Spenser]
Result: 61 - 80 | Page: 4 of 5 |
| 61. | 'The worst extremity': Early modern jealousy in Edmund Spenser and Mary Wroth |
| 62. | Feminine virtue in Shakespeare's England: The power of submission in Spenser, Sidney, Shakespeare, and Leigh |
| 63. | Edmund Spenser's 'A View of the Present State of Ireland': Sovereignty, surveillance, and colonialism |
| 64. | Spenser's 'Amoretti': An edition with notes and commentary |
| 65. | Carefull verse in watchman's song: A study of Spenser's prophetic voice |
| 66. | Epic, simile, allegory: Problem in the reception of Spenser and Milton |
| 67. | Gendered creation: The form/matter duality of creation tradition in Spenser's 'The Faerie Queene' |
| 68. | A reconsideration of 'Christian humanism' in the English Renaissance: Historicizing More, Elyot, and Spenser with a focus on Tudor nationalism |
| 69. | A Ciceronian sunburn: Humanist/ic rhetoric and the ethics of Spenserian poetics |
| 70. | Marriage, closure, and constructing the feminine in Spenser's world |
| 71. | Poetic counsels: The poet-patron relationship of Spenser and Ralegh |
| 72. | Spenser's revaluation of femininity in 'The Faerie Queene' |
| 73. | From Ariosto to Milton: Generic composition in Renaissance epic |
| 74. | 'Govern well thy appetite': Feeding imagery and Renaissance thought in Spenser, Dekker, Jonson, Shakespeare, and Milton |
| 75. | Layers of identity: Multiple voices and contradictory patterns in Spenser's 'Shepheardes Calender' |
| 76. | Gender and poetics in Sidney and Spenser |
| 77. | Didactic pathos and the epic hero in Spenser and Milton |
| 78. | LACAN'S MIRROR AND BEYOND: DANTE, SPENSER, AND MILTON ('LA DIVINA COMMEDIA,' 'THE FAERIE QUEENE,' 'PARADISE LOST,' PSYCHOANALYSIS) |
| 79. | THE CHAINE OF CHAOS: A STUDY IN RENAISSANCE HERMENEUTICS (ENGLAND; SPENSER) |
| 80. | THE PASTORAL DEBATE OF YOUTH AND AGE: GENRE AND LIFE CYCLE IN RENAISSANCE POETRY WITH SPECIAL REFERENCE TO EDMUND SPENSER'S 'THE SHEPHEARDES CALENDER' |
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