Keyword [Spenser]
Result: 41 - 60 | Page: 3 of 5 |
| 41. | Wailing eloquence: Sleep and dreams in early modern English literature (John Milton, Edmund Spenser, John Donne, Ben Jonson) |
| 42. | Reproducing race: Early modern bodies and the construction of national difference (Edmund Spenser, William Shakespeare) |
| 43. | Personification, neoplatonic allegory, and Biblical typology: The syntheses of allegorical methods in Spenser's 'The Faerie Queene', Books III--V |
| 44. | Practicing decorum and recognizing convention: The pedagogy of courtesy in Spenser and Castiglione |
| 45. | 'Full of the makers guile': New polysemic possibilities for Archimago, Malengine, and Dolon in 'The Faerie Queene' (Edmund Spenser) |
| 46. | Purity, translation and dialectical rhetoric in Spenser's 'Well of English Undefyled' |
| 47. | 'Coloured with an historicall fiction': The topical and moral import of characterization in Edmund Spenser's 'Faerie Queene' |
| 48. | 'I see the play so lies that I must bear a part': Metatext in Shakespeare and Spenser |
| 49. | Chiasmus in English Renaissance literature: The rhetorical, philosophical, and the theological significance of 'X' in Spenser, Donne, Herbert, and Browne |
| 50. | Mapping more than the world: Shaping the cartographic imagination in late medieval and early modern England (Edmund Spenser, Christopher Saxton, Christopher Marlowe, Sir Walter Ralegh, Andrew Marvell) |
| 51. | The sexual turn: Emotional bonds and the social world in early modern English literature (Edmund Spenser, William Shakespeare, Sir Philip Sidney) |
| 52. | Willing shape-shifters: The loathly lady from Irish Sovranty to Spenser's Duessa |
| 53. | 'Straunge disguize': Allegory and its discontents in Spenser's 'Faerie Queene' |
| 54. | The noblest of senses: Theories of vision in the poetry of Milton and Spenser |
| 55. | Chastity embodied: Vision, knowledge, and the female figure in works by Spenser and Shakespeare |
| 56. | 'Iudge if ought therein be amis': The paradox of Edmund Spenser's queen |
| 57. | Nationalism, gender and hybridity in Spenser, Yeats and Heaney |
| 58. | 'Befitting emblems of adversity': A modern Irish view of Edmund Spenser from W. B. Yeats to the present |
| 59. | Spenser and the Renaissance 'Aeneid' |
| 60. | The genre of logic and artifice: Dialectic, rhetoric, and English dialogues, 1400-1600, Hoccleve to Spenser |
|
