Keyword [Soyinka] Result: 1 - 20 | Page: 1 of 1 |
1. | A Dance Of The Forest: On Wole Soyinka's Dramas In The Context Of Post-Colonialism |
2. | An Analysis Of The Death Theme In Wole Soyinka's Drama |
3. | The Comparative Study Of Wole Soyinka And Lu Hsun’ Cultural Consciousness In The Period Of Cultural Transition |
4. | Postcolonial Perspective Of Death And The King’s Horseman |
5. | A Study Of Satire In The Plays Of Wole Soyinka |
6. | A Study Of Wole Soyinka’s Culture Philosophy |
7. | Hybridity Of Yoruban And Western Cultures:Research Of The Lion And The Jewel And Death And King S Horseman |
8. | Myth And Archetypal Research Of Ogun And Osun In Soyinka’s Plays |
9. | The Interpretation Of Wole Soyinka’s Plays In The Perspective Of Postcolonial Ecocriticism |
10. | Ritual In The Context Of Postcolonialism |
11. | Brief Analysis Of Wole Soyinka's Theory Of Post-colonialism |
12. | Wole·Soyinka In The Movement Of Mbari |
13. | A Comparative Study Of Soyinka's And Beckett's Absurd Plays |
14. | An Analysis Of The Others In Soyinka's Plays Based On Postcolonial Theories |
15. | Interpretation On Yoruba Culture Of “Being Buried Alive” In Soyinka's Plays |
16. | Micro-Politics In Minor Literature Of Soyinka |
17. | Dionysus And Scapegoat |
18. | Soyinka, Baraka, Wilson: The Ogunian archetype (Wole Soyinka, Amiri Baraka, August Wilson) |
19. | 'On the far side of revenge': Reconciliation through classical appropriation in postcolonial literature (James Joyce, Ireland, Derek Walcott, St. Lucia, Wole Soyinka, Nigeria, Seamus Heaney, Northern Ireland) |
20. | Ritual Writing And Cultural Memory Reconstruction In Soyinka's Drama |
|