Keyword [Seventeenth]
Result: 141 - 160 | Page: 8 of 10 |
| 141. | The role of voice and diathesis in the creation of narrative structure in the 'Povest' o bojaryne Morozovoj' and two other seventeenth-century Russian narrative texts |
| 142. | Baroque Venetian theatre: Dialectics of excess and discipline in the sixteenth and seventeenth centuries |
| 143. | The paintings and career of Cornelis de Man: Art and mercantile culture in seventeenth-century Delft (The Netherlands) |
| 144. | Faith and toleration in late seventeenth-century England |
| 145. | Paper museums: Collecting and consumerism in seventeenth -century pros |
| 146. | Image making: Concepts of civilization in the seventeenth-century writings of Wilhelm Johann Mueller |
| 147. | The subtle art of division: Censorship and conflict in seventeenth-century England |
| 148. | Entrepreneurial warriors: Privateers in trade and war (England) |
| 149. | Breaking the mirror: The English history play in the seventeenth century |
| 150. | Orthodoxy, controversy and the transformation of Chan Buddhism in seventeenth-century China |
| 151. | Baptist origins revisited: A study of the dual influence of English separatism and Dutch Mennonite theology upon seventeenth-century English Baptists |
| 152. | Fables of knowledge: Descartes and seventeenth-century epistemological fiction |
| 153. | The power of love: Ideological emotion in five seventeenth century tragedies (Elizabeth Cary, William Davenant, John Dryden, John Milton) |
| 154. | Revisioning: Mary Wroth's challenge to the patriarchal utopias of male writers in the sixteenth and seventeenth centuries |
| 155. | The art of pharmacy in seventeenth- and eighteenth-century Mexico |
| 156. | Medea among the ancients and moderns: Morality and magic in French musical theatre of the seventeenth century |
| 157. | Legal culture, municipal politics and royal absolutism in seventeenth-century France: The avocats of Dijon (1595--1715) |
| 158. | Making the modern critic: Print-capitalism and national identity in seventeenth-century England (Thomas Campion, Samuel Daniel, Ben Jonson, John Dryden) |
| 159. | The messa di voce as an ornament in the string playing of the seventeenth, eighteenth, and nineteenth centuries |
| 160. | Engendering a bodily subjectivity: Romance literatures and the lives of seventeenth century women |
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