Keyword [Samuel]
Result: 181 - 200 | Page: 10 of 10 |
| 181. | The witness of the text in Wordsworth, Coleridge, and Browning (William Wordsworth, Samuel Taylor Coleridge, Robert Browning) |
| 182. | Samuel Johnson and the art of domesticity |
| 183. | Worldliness and wit: Satire and the grotesque in the late modernist novel (Evelyn Waugh, Nathanael West, Djuna Barnes, Samuel Beckett, Ireland) |
| 184. | Entertaining modernity: How four eighteenth-century heroines romanced social change (Madame de La Fayette, Pierre Carlet de Chamblain de Marivaux, France, Henry Fielding, Samuel Richardson) |
| 185. | Written on the water: British Romanticism and the culture of Maritime Empire (William Wordsworth, Samuel Taylor Coleridge) |
| 186. | 'Clarissa lives': Female response to 'Clarissa' from Richardson's contemporaries to Jane Austen (Samuel Richardson) |
| 187. | 'The prophecy of autumn': Hawthorne's Augustan sensibility (Samuel Johnson) |
| 188. | Extremes meet: Coleridge on ethics and poetics (Samuel Taylor Coleridge) |
| 189. | Theories of the Earth in 'A Dictionary of the English Language' (1755): Samuel Johnson's engagement with early science |
| 190. | Modernism, postcolonialism, and the experience of place: A study of Samuel Beckett and Derek Walcott |
| 191. | Metaphorical worlds in Samuel Beckett's 'Endgame' and Harold Pinter's 'Ashes to Ashes' (Ireland, France) |
| 192. | Making the modern critic: Print-capitalism and national identity in seventeenth-century England (Thomas Campion, Samuel Daniel, Ben Jonson, John Dryden) |
| 193. | The artist-hero novels of D. H. Lawrence, James Joyce, and Samuel Beckett and the transformation of aesthetic philosophy |
| 194. | Irish post-Joycean experimental novelists: O'Brien, Beckett, and Banville (Flann O'Brien, Samuel Beckett, John Banville) |
| 195. | Conflicts of principle in Samuel Johnson's literary criticism |
| 196. | Samuel Florman and a literature of technology |
| 197. | The persistence of ethics: Ethical readings of Samuel Beckett, Primo Levi and J. M. Coetzee |
| 198. | The rhetoric of posthumanism in four twentieth-century international novels (E. M. Forster, Samuel Beckett, J. M. Coetzee, Ireland, France, South Africa, Shen Congwen, China) |
| 199. | Samuel Johnson's 'general nature' in its context |
| 200. | Baroque ornamentation practices applied to transcriptions for the modern brass quintet using selected compositions of Johann Pezel and Samuel Scheidt |
|
