Keyword [Paula] Result: 1 - 20 | Page: 1 of 2 |
1. | Irish Female Images In Roddy Doyle's The Woman Who Walked Into Doors And Paula Spencer |
2. | Paul’s Pursuit Of Self:Interpretation Of Sons And Lovers From Lacan’s "the Mirror Stage Theory" |
3. | A Study Of Women’s Growth In Vogel’s Plays |
4. | The Fusion Of Color |
5. | The Painting Research Of Three Expressionism Painting Female Artists K Aethe Kollwitz、paula Modersohn—Becher And Gabriele Münter |
6. | Delicate Balance:A Study Of Power And Discourse In Vogel's How I Learned To Drive |
7. | A Thematic Study Of Paula Meehan's Poetry |
8. | Postmodern Gender Relationship Analysis In Paula Vogel's Two Plays:Desdemona:A Play About A Handkerchief And How I Learned To Drive |
9. | Subversion Of Traditional Gender Roles: A Study Of How I Learned To Drive And The Mineola Twins |
10. | A Report On Translating The Long Christmas Ride Home By Paula Vogel |
11. | A Probe Into The Other In Vogel's Plays |
12. | Paula Hayman's Psychoanalytic Thinking Research |
13. | Set The Stage Of Metaphor - Explore The Artistic Roots Of Paula Rego |
14. | Trauma-induced Evilness And Extremity: A Tentative Study Of Childhood Trauma And Domestic Abuse In Paula Vogel's Plays |
15. | Warmth And Primitivism |
16. | Female Nude Self-portrait In Modern Art |
17. | An Intertextual Study Of How I Learned To Drive And Lolita |
18. | Images of loss in Tennessee Williams's 'The Glass Menagerie', Arthur Miller's 'Death of a Salesman', Marsha Norman's ''night, Mother', and Paula Vogel's 'How I Learned to Drive' |
19. | Emotional living: Identity and the power of emotion in the fiction of Paula Martinac, Nella Larsen, Cristina Garcia and Loida Maritza Perez |
20. | The eyes have it: 'Othello''s after-life and the legacy of 'ocular proof' (William Shakespeare, Elizabeth Cary, Thomas Otway, Aphra Behn, Paula Vogel) |
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