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Keyword [Paul Auster]
Result: 41 - 60 | Page: 3 of 4
41. A Study On The Postmodern Biographic Features Of Paul Auster's The Invention Of Solitude
42. American Whiteness and literary form in the aftermath of 1960s ethnic nationalism: Paul Auster, Russell Banks, Raymond Carver, and Jane Lazarre
43. Phenomenal fictions: The dynamics of connection in two contemporary American multi-textual constructs, Paul Auster's 'The New York Trilogy' and Toni Morrison's 'Beloved', 'Jazz', and 'Paradise'
44. Fighting fathers/saving sons: The struggle for life and art in Paul Auster's 'New York Trilogy'
45. Authorial turns: Sophie Calle, Paul Auster and the quest for identity
46. Intertextuality, language, and rationality in the detective fiction of Edgar Allan Poe and Paul Auster
47. Developing a method of literary psychogeography in postmodern fictions of detection: Paul Auster's 'The New York Trilogy' and Martin Amis's 'London Fields'
48. Identity wars: Postmodern versus modern in Paul Auster's 'The New York Trilogy'
49. The double redux: Multiplying identity in postmodernist fiction (Jorge Luis Borges, Argentina, Alain Robbe-Grillet, France, Tahar Ben Jelloun, Morocco, Paul Auster, Vladimir Nabokov)
50. 'What it was all about I had not the slightest idea': Postmodern anti-detection in the trilogies of Paul Auster and Samuel Beckett
51. 'It's One of the Conditions of Being Human' - Paul Auster's Intertextual and Intersubjective Invention of Solitud
52. Quickened mirrors: The function of the Doppelgaenger in Paul Auster's New York trilogy
53. 'Then catastrophe strikes:' Reading Disaster in Paul Auster's Novels and Autobiographies
54. Oppression,Rebellion And Coexistence:Urban Landscape In In The Country Of Last Things
55. A Comparative Study Of Trauma Writing In Paul Auster's Novels
56. Cinematic Narrative Elements In Paul Auster's The Book Of Illusion
57. Quest For Identity In Travels In The Scriptorium From The Perspective Of Spatial Narrative
58. A Study Of The Narrative Self In Paul Auster's The Book Of Illusions
59. The Construction Of Community In The Brooklyn Follies
60. The Terrorist As An Ethical Being
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