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21. A Report On The Translation Of The New Negro: The Life Of Alain Locke(Chapter One?Chapter Two )
22. A Report On The Translation Of The New Negro:The Life Of Alain Locke(Chapter Six)
23. Translation Strategies For Complex Sentences In Biographical Text From The Perspective Of E-C Syntactic Comparisons
24. Negro: Travel and the pan-African imagination during the nineteenth century
25. 'Dragging themselves through the Negro streets at dawn': The influence of African American culture on the Beats
26. The inevitable Negro: Making slavery history in Massachusetts, 1770--1863
27. Performing artists of the Harlem Renaissance: Resistance, identity, and meaning in the life and work of Fredi Washington from 1920 to 1950
28. The 'Negro Market' and the black freedom movement in New York City, 1930--1965
29. The choral singing of the Negro spiritual versus the singing of contemporary gospel without harming the vocal apparatus: A choral concept
30. Co-authorship in 'A Narrative of the Uncommon Sufferings and Surprizing Deliverance of Briton Hammon, A Negro Man'
31. African-American Nomenclature: The Label Identity Shift from 'Negro' to 'Black' in the 1960s
32. The New Negro of Jazz: New Orleans, Chicago, New York, the First Great Migration, & the Harlem Renaissance, 1890-1930
33. The Chicago Negro Unit's Role in Performing Cultural Modernism and Political Radicalism
34. Performing Negro Folk Culture, Performing America: Hall Johnson's Choral and Dramatic Works (1925-1939)
35. 'Negro stranger in our midst': Origins of African American criminality in the urban north, 1900--1940 (Pennsylvania)
36. Lingering lights from America's black Broadway: Negro Renaissance to the Black Arts Movement, African-American concert -theatrical dance in Washington, D.C
37. Art or propaganda: A historical and critical analysis of African-American approaches to dramatic theory, 1900--1965
38. 'To Make the Negro Anew': The African American Worker in the Progressive Imagination, 1896--1928
39. A. Philip Randolph and the transformation of the Negro Church
40. What beauty is their own: The significance of 'Fire!!' in the Harlem Renaissance
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