Font Size: a A A
Keyword [Native-american]
Result: 161 - 180 | Page: 9 of 10
161. 'Survivance' in Native American literature: Form and representations
162. Adjustment, autonomy, and cultural identity of Native American students attending institutions of higher education
163. Other narratives: Representations of history in four postcolonial Native American novels (Denton R. Bedford, Louise Erdrich, Linda Hogan, James Welch)
164. Visions and re/visions of the Native American
165. Contextual essay (exhibition catalog): Making the invisible visible. A series of paintings focusing on Native American oral traditions
166. When Brer Rabbit meets Coyote: African-Native American literature
167. Invisible in the white field: The Chicago Field Museum's construction of Native Americans, 1893-1996, and Native American critiques of and alternatives to such representations
168. The effects of Euro-American contact on the roles and status of Native American women on the southern Columbia Plateau: An archaeological study
169. Neocolonialism, postcolonial ecology, and ecofeminism in the works of Native American, Chicano/a, and international writers
170. Appropriation of a Native American symbol: From sacred to profane
171. The word, the beast, the Indian: Animal codes in the literary characterization of the Native American in 'Cumanda', 'Huasipungo' and 'El Indio'
172. Cultural survival and the oral tradition in the novels of D'Arcy McNickle and his successors: Momaday, Silko, and Welch
173. Healing through traditional stories and storytelling in contemporary Native American fiction
174. Tricksters at large: Pequots, gamblers, and the emergence of crossblood culture in North America
175. Native knowing: The politics of epistemology in American and Native American literature
176. Balancing the world: Spatial design in contemporary Native American novels
177. A comparative analysis of language competency in Native American children with fetal alcohol syndrome and their culturally matched peers
178. Comparison of self-disclosures: Native American to non-Native American college students in diary and dialogue journals
179. Native American origins: A holistic synthesis
180. Native American art and culture and the New York avant-garde, 1910-1950
  <<First  <Prev  Next>  Last>>  Jump to