Keyword [Middlemarch]
Result: 61 - 80 | Page: 4 of 5 |
| 61. | Dorothea’s Self-realization In Middlemarch |
| 62. | Poetics Of Space In Middlemarch |
| 63. | A Narratological Analysis Of The Narrator’s Intervention In Middlemarch |
| 64. | Incommunicable Consciousness: A Study on Perspective in 'Middlemarch' |
| 65. | Fairy tales and anti-fairy tales: 'Pride and Prejudice' and 'Middlemarch' |
| 66. | Visibly invisible: Servants and masters in George Eliot's 'Middlemarch' |
| 67. | Biblical marriage and submission in George Eliot's 'Middlemarch' |
| 68. | Cleverly Voiced: The Narrators' Uncommon Perceptions and Depictions of the Bad Woman in 'Middlemarch' and 'Vanity Fair' |
| 69. | Perception and action: Sympathy, charity and ideal communities in Eliot's 'Middlemarch' and Dostoevsky's 'The Brothers Karamazov' |
| 70. | From goddess and Odysseus themes to an evolving Christ mythos: George Eliot's 'Romola', 'Middlemarch', and 'Daniel Deronda' |
| 71. | 'There was always something better which she might have done': Performativity and Victorian gender ideology in 'East Lynne', 'Miss Marjoribanks' and 'Middlemarch' |
| 72. | From narcissism to sympathy in George Eliot's 'Romola', 'Middlemarch', and 'Daniel Deronda' |
| 73. | Victorian man-making: Shifting trends in Victorian masculinities in 'Jane Eyre', 'Shirley', and 'Middlemarch' (Charlotte Bronte, George Eliot) |
| 74. | The human voice: The narration of the self in 'Mansfield Park', 'Villette'; and 'Middlemarch' |
| 75. | In a pier-glass: The transformation of the Bible in 'Middlemarch' |
| 76. | Reading the web: Web and textile imagery in George Eliot's 'The Mill on the Floss', 'Silas Marner' and 'Middlemarch' |
| 77. | George Eliot's 'Middlemarch' and Lev Tolstoy's 'Anna Karenina': A comparative reading |
| 78. | Inward fits of anger or revulsion: Reading texts of female anger in George Eliot's 'Middlemarch' |
| 79. | A 'later-born Theresa': Dorothea Brooke as point of resistance in George Eliot's 'Middlemarch'. An interpretation of the theories of Michel Foucault |
| 80. | Vocation, marriage and 'the woman question' in George Eliot's 'Middlemarch' |
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