Keyword [Melville]
Result: 41 - 60 | Page: 3 of 7 |
| 41. | Deconstruction Of The Hierarchies Of Race And Species |
| 42. | Melville's Imperialist Myth In Omoo |
| 43. | 'Gasping for breath': The language of Chora in the poetics and narrative praxis of Emerson, Poe, Hawthorne, Melville and Dickinson |
| 44. | A monstrous compound of Carlyle and Jean Paul: Herman Melville and the German Roman |
| 45. | On time and the artist in Herman Melville's 'Pierre' |
| 46. | Beyond significant language: Faith, possibility, and trust in Emerson, Poe, and Melville |
| 47. | On some motifs in Herman Melville |
| 48. | No American Miltons: Melville, Zukofsky, and America's Lost Epic Tradition |
| 49. | Self, world, and God in the poetry of Emily Dickinson and Herman Melville |
| 50. | 'Moby-Dick' and the mythology of oil |
| 51. | Hoax literature: Reading Edgar Allan Poe, Herman Melville, and Mark Twain |
| 52. | A natural history of the mind: Edwards, Emerson, Thoreau, Melville |
| 53. | Ishmael's sea journey and the monomyth archetypal theory in Melville's 'Moby-Dick' |
| 54. | Individualism and the sectional crisis: Emerson, Thoreau, Hawthorne, Melville, and their responses to slavery and racism |
| 55. | Herman Melville's work trilogy: Navigating the new economic waters of antebellum America |
| 56. | Resisting the vortex: Abjection in the early works of Herman Melville |
| 57. | Literary art in times of crisis: The proto-totalitarian anxiety of Melville, James, and Twain |
| 58. | Melville: The way water rubs stone |
| 59. | A critical dictionary of Herman Melville's Polynesian terms |
| 60. | American palimpsests: Trans/national imagination in Herman Melville's poetry |
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