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Keyword [Mann]
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21. A Study Of The Intertextuality Of Thomas Mann's Novels
22. 'Enemies of fanaticism': Ethical humanisms in the works of Hermann Broch, Erich Kahler and Thomas Mann
23. Claiming victims: The Mann Act, gender, and class in the American West, 1910--1930s
24. Divine epidemic: Dionysian elements in Thomas Mann's 'Death in Venice' and Andrey Bely's 'Petersburg'
25. Melancholy cosmopolitanism: Love, labor, and loss in Theodor W. Adorno and Thomas Mann
26. Beyond observation literature and science in Kafka, Rilke, Mann and Musil
27. The will to harmony: Music in the novels of Andre Gide, Aldous Huxley and Thomas Mann
28. Kunst unter der Optik des Lebens. Nietzsche in der Sicht von Martin Heidegger und in der Wirkung auf Thomas Mann
29. Fragments of the human: The concept of humanism in Kant, Goethe, and Thomas Mann
30. Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's 'Death in Venice'
31. Zu den unterschiedlichen Perspektiven auf die Romanfigur Hans Castorp: Ein Vergleich der Romane 'Der Zauberberg' von Thomas Mann und 'Castorp' von Pawel Huelle
32. 'Terrible in its Beauty, Terrible in its Indifference': Postcolonial Ecocriticism and Sally Mann's Southern Landscape
33. Deja vu, the sublime, and the uncanny: The route of self-overcoming of Hans Castorp's 'Schnee' vision in Thomas Mann's 'Der Zauberberg' (Germany)
34. The homo-exilic experience: Queerness, alienation, and contrapuntal vision (Christopher Isherwood, Klaus Mann, James Baldwin, Arturo Islas)
35. Returning myth to humanity: Thomas Mann and Joseph (Germany)
36. Thomas Mann's 'Doktor Faustus' in the light of 'Die Betrachtungen eines Unpolitischen'
37. 'Writing a war story': American women's writing on the Vietnam War (Mary McCarthy, Le Ly Hayslip, Emily Mann, Jayne Anne Phillips, Bobbie Ann Mason)
38. Implosionen des Geredes. Robert Musils 'Mann ohne Eigenschaften' und Martin Heideggers 'Sein und Zeit' vor der Erfahrung des modernen In-der-Welt-Seins (German text)
39. Vital humanism: Thomas Mann, Jose Ortega y Gasset, and the revolt against decadence in self-nation-Europe, 1900-1949
40. The Habsburg Self? Narrative Perspective and Linguistic Identity in Robert Musil's 'Tonka,' Herta Muller's 'Niederungen' and 'Reisende auf einem Bein' and Terezia Mora's 'Alle Tage'
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