Keyword [Laurence]
Result: 41 - 60 | Page: 3 of 4 |
| 41. | A mind's eye view: The artist as mediator in four Canadian fictions (Alice Munro, Margaret Laurence, Margaret Atwood, Jane Urquhart) |
| 42. | In the canon's mouth: Rhetoric and narration in historiographic metafiction (J. M. Coetzee, South Africa, Peter Carey, Australia, Salman Rushdie, Daniel Defoe, Charles Dickens, Laurence Sterne) |
| 43. | Representing uncertainty: Franklin, Sterne, Goethe, and the literary aesthetic (Johann Wolfgang von Goethe, Benjamin Franklin, Laurence Sterne) |
| 44. | Female and national identities: Laurence, Atwood, and Engel, 1965--1980 (Margaret Laurence, Margaret Atwood, Marian Engel) |
| 45. | Merlin in the works of Edwin Arlington Robinson and Laurence Binyon |
| 46. | Dialectics of loss: Sentimental irony and the eighteenth-century British novel (Sarah Fielding, Laurence Sterne, Oliver Goldsmith) |
| 47. | Inescapable contextuality: Functions of metafictional paradox in 'Tristram Shandy' and 'At Swim-Two-Birds' (Laurence Sterne, Flann O'Brien, Ireland) |
| 48. | 'Sallies of the imagination': Visual imagery and the works of Laurence Sterne |
| 49. | Sentimental constructions and indeterminate meanings: Thomas Jefferson and the works of Sterne [and] The idea of an OWL: Online writing conferences for second language students (Laurence Sterne) |
| 50. | Playing house: Home as the necessary context of Margaret Laurence's 'Dance on the Earth' |
| 51. | People -as -garbage: A metaphor we live by. Storytelling as composting in six novels: Toni Morrison's 'The Bluest Eye', Margaret Laurence's 'The Diviners', Leslie Marmon Silko's 'Ceremony', Marilynne Robinson's 'Housekeeping', Jane Smiley's 'A Thousand |
| 52. | Creative displacement and corporeal defiance: Feminist Canadian modernism in Margaret Laurence's Manawaka novels |
| 53. | Literary tourism: An examination of tourists' anticipation of and encounter with the literary shrines of Willa Cather and Margaret Laurence |
| 54. | The politics of self-narration: Contemporary Canadian women writers, feminist theory and metafictional strategies (Margaret Laurence, Daphne Marlatt, Margaret Atwood) |
| 55. | The look of the book: Visual elements in the experience of reading from 'Tristram Shandy' to contemporary artists' books (Laurence Sterne, Vanessa Bell, Virginia Woolf, Tom Phillips, Holly Anderson, Janet Zweig) |
| 56. | Images of Chinese-Americans and images of child readers in three of Laurence Yep's fictions |
| 57. | A 'delicious riot of things': Aspects of discontinuity in 'Tristram Shandy' (Laurence Sterne) |
| 58. | An ethical critique of men in Laurence and Atwood |
| 59. | LUDIC NARRATIVE IN THE NOVEL: 'PROJET POUR UNE REVOLUTION A NEW YORK,' 'DAS SCHLOSS,' 'TRISTRAM SHANDY' (ALAIN ROBBE-GRILLET, FRANZ KAFKA, LAURENCE STERNE, FRANCE, ENGLAND, AUSTRIA) |
| 60. | Traduire une pluralite de discours : This Side Jordan de Margaret Laurence |
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