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Keyword [Joyce carol]
Result: 61 - 80 | Page: 4 of 5
61. A Study Of The Ethical Connotation Of"American Dream"in Oates'S Novels
62. Memory Writing In Joyce Carol Oates's The Gravedigger's Daughter
63. From Scarcity To Construction: Male Images On The Development Of Female Consciousness In Oates's Three Novels
64. The City Of Evil In Joyce Carol Oates's Them
65. An Ethical Literary Interpretation Of The Falls
66. An Analysis Of Trauma Recovery Of The Heroine In The Gravedigger's Daughter
67. A Study Of The Ethical Theme In Wonderland
68. A Study Of The Ethical Salvation Of Ariah In The Falls
69. A Lacanian Interpretation Of The Heroine's Construction Of Subjectivity In I'll Take You There
70. Women's Trauma In Joyce Carol Oates's You Must Remember This
71. Refusal,Transcendence And Acceptance: Liminality In The Gravedigger's Daughter By J.C.Oates
72. Parody Of "Cinderella" In A Fair Maiden:A Tale Of Dark Suspense
73. The missing factor: Explorations of masculinities in the works of Toni Morrison, Louise Erdrich, Maxine Hong Kingston and Joyce Carol Oates
74. (Mis)representations of violent women (Margaret Atwood, Toni Morrison, Joyce Carol Oates)
75. Redefining female identity in the American city: A study of selected twentieth-century American urban novels by women (Anzia Yezierska, Sandra Cisneros, Maxine Hong Kingston, Ann Petry, Joyce Carol Oates)
76. Ghost-writing into eternity: Representations of the woman author as spirit/conjurer (Edith Wharton, Shirley Jackson, Alison Lurie, Joyce Carol Oates, Sylvia Plath)
77. The autonomous narratives of Joyce Carol Oates: Dissociation and the mapping of the mind
78. Subversion, seduction, and the culture of consumption: The American gothic revisited in the work of Toni Morrison, Joyce Carol Oates, and Anne Rice
79. Imagining a past: Memory and history in the fiction of Grace Paley, Alice Walker, Achy Obejas, and Joyce Carol Oates
80. Trying nothing: Appraisals on nihilism in American fiction of the 1970s (Walker Percy, Joyce Carol Oates, Thomas Pynchon, Robert Stone, Don DeLillo)
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