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Keyword [Joseph Conrad]
Result: 101 - 120 | Page: 6 of 8
101. An Analysis Of Binary Oppositions In Heart Of Darkness
102. Dilemmas Of Conduct And Hybrid Identity In Three Of Joseph Conrad's Novels
103. The Study Of Space Writing In Joseph Conrad's Novels
104. Aesthetics at its end: Late style in the works of Joseph Conrad, Vladimir Nabokov, and W. G. Sebald
105. Romantic darkness: Critical reflections on enlightenment in Joseph Conrad, Mary Shelley, and William Wordsworth
106. Revis(it)ing Joseph Conrad's 'Heart of Darkness': Women, symbolism, and resistance
107. One of us: Joseph Conrad's 'Under Western Eyes' and 'A Personal Record'
108. 'A luminous halo': Madness and the inexpressible in Joseph Conrad's 'Heart of Darkness' and Virginia Woolf's 'Between the Acts'
109. Strangers in stranger tongues: Vladimir Nabokov and the writing of exile, with reference to Joseph Conrad, Hakob Asadourian, and Roman Jakobson
110. Polyglot rhetoric and the construction of subjectivity: The effect of doubling, reflection, and thematic patterning in the fiction of Joseph Conrad and Vladimir Nabokov
111. An interdisciplinary comparison of Joseph Conrad's 'Heart of Darkness' and Barbara Kingsolver's 'The Poisonwood Bible'
112. Minding the gap: Reading history With Joseph Conrad, Peter Weiss, and W. G. Sebal
113. Sustained collision: Modernist fictions as forms of attention (Virginia Woolf, Ford Madox Ford, Joseph Conrad, James Joyce, Ireland)
114. Everyday: Literature, modernity, and time (Gustave Flaubert, France, H. G. Wells, Joseph Conrad)
115. The Regenerative Paradigm: Male Initiations in Joseph Conrad's 'The Nigger of the 'Narcissus'', 'Heart of Darkness ' and 'The Shadow-Line'
116. The work of humanity: Will to power in the heart of darkness (Joseph Conrad, Friedrich Nietzsche)
117. The sabatoge of Joseph Conrad's 'The Secret Agent': Hitchcock reads Conrad
118. Ethics of representation in novels by George Eliot, Thomas Hardy, and Joseph Conrad
119. The imperial quest and modern memory (Joseph Conrad, E. M. Forster, Paul Bowles, Graham Greene)
120. 'How shall we write history?': The modernist historiography of Joseph Conrad, Ford Madox Ford and Rebecca West
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