Keyword [Jones]
Result: 61 - 80 | Page: 4 of 6 |
| 61. | Jasper Jones' Painting Art Research |
| 62. | Henry Fielding's epistolary voices: Polyphony and the embedded letter in 'Joseph Andrews', 'Tom Jones', and 'Amelia' |
| 63. | The corporeal trauma narratives of Gayl Jones's 'Corregidora,' Phyllis Alesia Perry's 'Stigmata' and Luisa Valenzuela's 'Cambio de armas' |
| 64. | Allegories of literary medicine: Cures and doctors in 'Don Quixote', 'Tom Jones', and 'Tristram Shandy' |
| 65. | Queer pathography: A comparison of illness narratives by Eve Kosofsky Sedgwick and Bill T. Jones |
| 66. | Willing the word: Issues of epistemology and ontology in the narrative structure of Fielding's 'Tom Jones' |
| 67. | New Black music: Amiri Baraka (Leroi Jones) and jazz, 1959--1965 |
| 68. | Liberation of perception: Evil's emergence in 20th century African American fiction (Richard Wright, Toni Morrison, Gayl Jones, Alice Walker, Charles Johnson) |
| 69. | Svaraj and self-reliance: Translating the self and its rule from the 'Bhagavad-Gita' and 'Manusmr&dotbelow;ti' to the works of Emerson, Thoreau, and Gandhi (Mohandas K. Gandhi, Ralph Waldo Emerson, Henry David Thoreau, Charles Wilkins, William Jones) |
| 70. | RSVP-ing Lawrence Halprin: Experiential equivalency at the Jones Falls (Maryland) |
| 71. | 'Sighing after the infinite': Masculinity, androgyny, and femininity in the art of Edward Burne-Jones (England) |
| 72. | 'The problem in the middle': Liminal space and the Jonsonian masque (Ben Jonson, Inigo Jones) |
| 73. | Traumatic possessions: The body and memory in multiethnic women's writing and performance (Sherley Anne Williams, Anna Deavere Smith, Maxine Hong Kingston, Gayl Jones, Robbie McCauley) |
| 74. | Erotic eruptions and communal disruptions: Discourses of desire and resistance in 20th century black women's novels (Zora Neale Hurston, Toni Morrison, Gayl Jones) |
| 75. | Keeping up appearances: 'Normality' in postwar United States culture, 1945--1963 (R. L. Dickinson, James Jones, Grace Metalious) |
| 76. | The unity of the proposition |
| 77. | Fiction as history: James Jones, 'From Here to Eternity' |
| 78. | David Jones, modernism, and the Middle Ages |
| 79. | William Hogarth's 'curve of beauty' mirrored in Henry Fielding's 'Tom Jones': An eighteenth century aesthetic equation |
| 80. | 'Daughters of Zion': Spiritual power in Black womanist narrative (Zilpha Elaw, Virginia Broughton, Gloria Naylor, Gayl Jones, Octavia E. Butler) |
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