Font Size:
a
A
A
Keyword [Jane austen]
Result: 141 - 160 | Page: 8 of 10
141.
From The Perspective Of Novel Aesthetics,the Analysis Of Taste In Jane Austen's Works
142.
An Interpretation Of Jane Austen's Novels From The Perspective Of Archetypal Criticism
143.
Growing Women Described By Jane Austen
144.
The Enduring Austen Heroine: Self-Awareness and Moral Maturity in Jane Austen's 'Emma' and in Modern Austen Fan-Fiction
145.
'Above Vulgar Economy': Jane Austen and money
146.
Revolution and improvement in the writings of Jane Austen and Margaret Fuller
147.
Re-creating the text: Jane Austen's 'Pride and Prejudice' and its film adaptations
148.
Eye of the beholder: Physical beauty in the novels of Jane Austen
149.
Women readers and the Victorian Jane Austen
150.
The abuser and the abused: Impropriety in selected texts by Jane Austen
151.
Grounding the figure of the heroine: The 'other women' in Jane Austen's novels
152.
The pleasures of comic mischief in Jane Austen's novels
153.
Constructing Mr. Darcy: Tradition, gender, and silent spaces in Jane Austen's 'Pride and Prejudice'
154.
'A paradise of my own creation': Domesticity and the gothic in Jane Austen's 'Northanger Abbey', Mary Shelley's 'Frankenstein', and Bram Stoker's 'Dracula'
155.
Universally acknowledged in adaptations: Jane Austen's 'Pride and Prejudice' for a new century
156.
The watering place in Jane Austen's novels: Space, language, consumerism
157.
Unveiled: An examination of Jane Austen's betrothal scenes
158.
The evolution of literary theory: Towards a bio-cultural approach to literature through Jane Austen's 'Northanger Abbey'
159.
Marriage marketplace: Marx's theory of use and exchange value and the sphere of consumption in Jane Austen's 'Emma' and 'Mansfield Park'
160.
Educating the self: Critical reflection in the novels of Jane Austen, Charlotte Bronte, and George Eliot
<<First
<Prev
Next>
Last>>
Jump to
