Keyword [James Joyce] Result: 101 - 120 | Page: 6 of 8 |
101. | Female agency and the breaking of essentialist paradigms in selected works by James Joyce, Brian Friel, Toni Cade Bambara, and Alice Walker (Ireland) |
102. | Textual collisions: The writing process and the modernist experiment (James Joyce, Djuna Barnes, Mina Loy, Ezra Pound, Ireland) |
103. | Modernism and the ordinary: Joyce, Woolf, Stein, Stevens (James Joyce, Ireland, Virginia Woolf, Gertrude Stein, Wallace Stevens) |
104. | Beyond borders: The politics of the margins in Woolf, Joyce, and Hall (Virginia Woolf, James Joyce, Ireland, Radclyffe Hall) |
105. | The rhetoric of sampling: A study of narrative technique in the twentieth-century novel (James Joyce, Virginia Woolf, Samuel Beckett, Ireland, France) |
106. | Navigorating the riverrun: Voice and the narrator in the work of James Joyce (Ireland) |
107. | Secretly numinous: The role of Joseph Campbell's monomyth in James Joyce's 'Ulysses', Mario de Andrade's 'Macunaima', and Boubacar Boris Diop's 'Le Cavalier et son ombre' |
108. | Double-reading early Joyce: The necessity of contrapuntal readings of 'Dubliners' and 'A Portrait of the Artist as a Young Man' (James Joyce, Ireland) |
109. | Ambivalent freedom: The politics of style in the writings of James Joyce and Ralph Ellison (Ireland) |
110. | Modernism's family values: Genealogy, kinship and form in modern narrative (James Joyce, Ireland, Sir Arthur Conan Doyle, Scotland, Marcel Proust, France) |
111. | The opposite of desire: Sex and discourse in D. H. Lawrence, Virginia Woolf, and James Joyce (Michel Foucault) |
112. | Sickness of the spirit: A comparative study of Lu Xun and James Joyce |
113. | Oral eyeness: Scripted orature in twentieth century Irish literature and performance (James Joyce, William Butler Yeats, Brendan Behan, Patrick McCabe) |
114. | Parallel images: A study of Joyce's 'Ulysses' (James Joyce, Ireland) |
115. | Consuming and consumed: James Joyce and the spoils of empire (Ireland) |
116. | Pre-Codex to post-Code: Editorial theory in the second incunabulum (William Langland, William Shakespeare, James Joyce, Ireland) |
117. | The convergence of Homer's 'Odyssey' and Joyce's 'Ulysses' (Greece, James Joyce, Ireland) |
118. | Behold the beholder: The construction of character in James Joyce's 'Ulysses' (Ireland) |
119. | Community in the short story sequence: The continuing development of a contemporary genre (James Joyce, Sherwood Anderson, Ivan Sergeevich Turgenev, Kelly Cherry, Bernardo Atxaga, Spain, Russia, Ireland) |
120. | Irish literatures in debt (John Mitchel, James Joyce, Flann O'Brien, Pat Sheeran) |
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