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Keyword [James Joyce]
Result: 81 - 100 | Page: 5 of 8
81. A Study On The Cross-cultural Intertextual Relationship Between "Gao Laozhuang" And "Ulysses"
82. 'The Einstein of English fiction': James Joyce, the new physics, and modernist print culture
83. The usual: Pub phenomenology in the works of James Joyce
84. The mainstream of consciousness: James Joyce, Virginia Woolf, William Faulkner and mass modernism
85. And the darkness comprehended it not: Epiphany in James Joyce and Fei Ming
86. The protean semiotic system of James Joyce's 'Ulysses': Interacting iconic, indexical, and symbolic levels of signification and their structures
87. The language of music: Paradigms of performance in Dante Gabriel Rossetti, Vernon Lee, James Joyce, and Virginia Woolf
88. James Joyce's animal aesthetic
89. 'this is nat language at any sinse of the world': James Joyce in Trieste and late-Habsburg language skepticism
90. Aphrodite unshamed: James Joyce's romantic aesthetics of feminine flow
91. Creative criticism: The example of James Joyce
92. Decolonizing modernism: James Joyce and the development of contemporary Spanish American narrative
93. The writing of modern life (William Morris, George Eliot, James Joyce, Ireland)
94. Allusive mechanics in modern and postmodern fiction as suggested by James Joyce in his novel 'Dubliners' (Ireland)
95. Ethical revivals: Discontinuities and moral self-cultivation in James Joyce, Elizabeth Bowen, and Iris Murdoch
96. The modernist author in the age of celebrity (Ireland, Oscar Wilde, James Joyce, Gertrude Stein, Charlie Chaplin)
97. Sustained collision: Modernist fictions as forms of attention (Virginia Woolf, Ford Madox Ford, Joseph Conrad, James Joyce, Ireland)
98. 'of all that ever anywhere wherever was': The all-inclusive Joycean memory in 'Dubliners', 'A Portrait of the Artist as a Young Man', 'Ulysses' and 'Finnegans Wake' (James Joyce, Ireland)
99. 'The distance of proximity': James Joyce's and Toni Morrison's re-envisioning of the readerly space (Ireland)
100. Modern Time: Repetition in James Joyce, T. S. Eliot, and Virginia Woolf
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