Keyword [Ishmael Reed]
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| 1. | Towards Postmodern Multiculturalism :A New Trend Of Jewish-American And African-American Literature Viewed Through Philip Roth And Ishmael Reed |
| 2. | On Ishmael Reed's Postmodernist Art Of Parody |
| 3. | Postmodern Elements In Ishmael Reed's Mumbo Jumbo |
| 4. | On Postmodernist Parody In Flight To Canada |
| 5. | On Multicultural Consciousness Of Ishmael Reed’s The Last Day Of Louisiana Red |
| 6. | Going Beyond Cultural Hegemony |
| 7. | Optimal Interpretation In Literature Translation |
| 8. | Neo-Hoodoo Magic Realism In Yellow Back Radio Broke-Down |
| 9. | Counter-representing the self in the postmodern: Anti-representational poetics in the fiction of Kurt Vonnegut, Sandra Cisneros, Ishmael Reed, Karen Tei Yamashita, and Haruki Murakami |
| 10. | Postmodern aesthetics and political dissent: Strategies of resistance in American postmodern fiction (Thomas Pynchon, Grace Paley, Ishmael Reed) |
| 11. | A book of her own: Postmodern practices in contemporary American women's experimental literature (Louise Erdrich, Lorrie Moore, Carole Maso, Vladimir Nabokov, John Barth, Ishmael Reed) |
| 12. | Postmodern laughter: The use of the comic in the fiction of Kurt Vonnegut, Donald Barthelme, and Ishmael Reed |
| 13. | Ideology and its others: The postmodern fiction of Ishmael Reed, Kathy Acker and Don DeLillo |
| 14. | Africanisms, race relations, and diasporic identities in 'Mules and Men', 'Go Tell It On The Mountain', and 'Mumbo Jumbo' (Zora Neale Hurston, James Baldwin, Ishmael Reed) |
| 15. | Other possible identities: Three essays on minor American literatures (Frank Chin, Ishmael Reed, Sarah Schulman) |
| 16. | On Neo-HooDooism Of Ishmael Reed's Japanese By Spring |
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