Keyword [Ibsen]
Result: 41 - 56 | Page: 3 of 3 |
| 41. | Aesthetics of dependency: Early Modernism and the struggle against Idealism in Kierkegaard, Ibsen, and Henry James |
| 42. | 'Man at the end of history': Henrik Ibsen's works in the light of French post -Hegelian theoretical thought |
| 43. | Paying for Patriarchy: Dramaturgy of Working Class Masculinity in Ibsen's The Wild Duck and Shepard's Curse of the Starving Class |
| 44. | The use of trolls as diabolical figures in three of Henrik Ibsen's later plays |
| 45. | Adapting Place, Embracing Hybridity: Brian Friel's and Frank McGuinness's Dramatic Adaptations of Anton Chekhov and Henrik Ibsen |
| 46. | At the Limits of Realism: Late Ibsen and other Neo-Romantic Estrangements |
| 47. | Staging Europe, staging Ireland: Ibsen, Strindberg, and Chekhov in Irish cultural politics, 1899--1922 |
| 48. | The mother as the Other: A psychoanalytic and feminist reading of motherhood in Ibsen, O'Neill and Pinter (Eugene O'Neill, Harold Pinter, Henrik Ibsen) |
| 49. | Casting off the shackles of family: Ibsen's Nora character in modern Chinese literature, 1918-1942 (Lu Hsun, Mao Tun, Ting Ling) |
| 50. | Rank, Ibsen, and O'Neill: Birth trauma and creative will in selected dramas |
| 51. | Evolution,Symbiosis And The Game Of Virtue |
| 52. | The Stage Presentation Of The Symbolic Image Of Polysemy In Ibsen’s Drama "The Lady From The Sea" |
| 53. | A Study On The Self-awareness Of The Characters In The Three Later Plays By Ibsen |
| 54. | A Side-Step |
| 55. | Inheritance And Localization: A Study Of The Intertextuality Between Modern Chinese Drama And Ibsen’s A Doll’s House |
| 56. | The Dissemination And Acceptance Of Ibsen In China (1891-1927) |
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