Keyword [Harrison]
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| 1. | British Contemporary Music Leader |
| 2. | Harrison Sarkozy Was "literature Study |
| 3. | Aztec musical styles in Carlos Chavez's 'Xochipilli: An Imagined Aztec Music' and Lou Harrison's 'The Song of Quetzalcoatl': A parallel and comparative study |
| 4. | Beyond the myth of East-West hybridity: An analysis of Lou Harrison's works for gamelan and Western instruments |
| 5. | Jane Ellen Harrison's 'Handmaiden No More': Victorian ritualism and the fine arts |
| 6. | Sacraments, sacrifice, and ritual: High Church mysticism in the letters of Jane Ellen Harrison and 'Prolegomena to the Study of Greek Religion |
| 7. | Goddesses and ghosts: Virginia Woolf and Jane Ellen Harrison |
| 8. | The grotesque in twentieth-century opera (Alban Berg, Austria, Krzyztof Penderecki, Poland, Harrison Birtwistle, England, Stephen Sondheim) |
| 9. | The just intonation guitar works of Lou Harrison, James Tenney, and Larry Polansky |
| 10. | The making of the English working-class poet. Historical perspectives of class, art, and culture in the shaping of five poets from Leeds: Geoffrey Hill, Jon Silkin, Tony Harrison, Ken Smith, and Jeffrey Wainwright |
| 11. | Constance Cary Harrison, refugitta of Richmond: A nineteenth-century Southern woman writer's critically intriguing antislavery narrative strategy (Virginia) |
| 12. | William Henry Harrison's Indiana: Paternalism and patriotism on the frontier, 1795--1812 |
| 13. | Cage, Cowell, Harrison, and Queer Influences on the Percussion Ensemble, 1932 - 1943 |
| 14. | The concept of justice in four Christian feminist ethicists--Beverly Wildung Harrison, Margaret Farley, Karen Lebacqz, and Katie G. Cannon |
| 15. | 'LA KORO SUTRO' BY LOU HARRISON: HISTORICAL PERSPECTIVE, ANALYSIS AND PERFORMANCE CONSIDERATIONS |
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