Font Size: a A A
Keyword [Graham]
Result: 101 - 120 | Page: 6 of 7
101. Writing at a loss: Nation and nuclearism in the twentieth-century English novel (Ford Madox Ford, Julian Barnes, Graham Swift, Raymond Briggs, Doris Lessing, Zimbabwe)
102. With spirit in mind: Reflections on the spiritual choreography of Isadora Duncan, Ruth St. Denis and Martha Graham
103. A linguistic analysis of the comedic novels of Graham Greene and George Orwell
104. Sculptural theatre: Isamu Noguchi's sets for Martha Graham
105. Dwelling poetically: Environmental ethics in contemporary fiction (Louise Erdrich, Graham Swift, Cormac McCarthy, Jean Rhys, Dominica)
106. After modernism: Representations of the past in the novels of Graham Swift
107. British writers in tropical Africa, 1936-1985: Cultural crossover in the travel and fictional works of Elspeth Huxley, Graham Greene and V. S. and Shiva Naipaul
108. Apocalyptic metafiction in four British novels (Graham Swift, David Lodge, Dennis Potter, Martin Amis)
109. From the religious dimension to the spiritual vision in the novels of Graham Greene
110. 'Wedded to the world': Natural and artificial history in the novels of Graham Swift
111. Existentialism in the novels of Graham Greene
112. THE DESTRUCTIVE CHARACTER: WALTER BENJAMIN AND A SITUATIONIST APPROACH TO ENGLISH LITERATURE AND POP MUSIC SINCE THE 1930S (GRAHAM GREENE, COLIN MACINNES, MARXIST CRITICISM, INTERNATIONAL, MASS CULTURE)
113. MERCY, GRACE, SIN IN THE RELIGIOUS VISION OF GRAHAM GREENE, FLANNERY O'CONNOR, AND WALKER PERCY (UNITED STATES, ENGLAND)
114. Towards an Integrated Personhood through Suffering: The Disparate Ideologies of Freud, Maritain, and Aquinas and the Power of Analogy in Graham Greene's The Power and the Glory
115. Billy Graham and the Age of Anxiety
116. Graham Greene's Unique Absurd Experience And Novel Creation
117. Construction Of Englishness:Writing Of Memory In Graham Swift's Waterland
118. On The Memory Writing In Graham Swift's Waterland
119. Mapping The Spiritual Growth In The Postwar Era
120. Confusions Of Ethical Identities And Evolution Of Ethical Choices Of Heroines In Graham Swift's Representative Works
  <<First  <Prev  Next>  Last>>  Jump to