Keyword [Graham]
Result: 101 - 120 | Page: 6 of 7 |
| 101. | Writing at a loss: Nation and nuclearism in the twentieth-century English novel (Ford Madox Ford, Julian Barnes, Graham Swift, Raymond Briggs, Doris Lessing, Zimbabwe) |
| 102. | With spirit in mind: Reflections on the spiritual choreography of Isadora Duncan, Ruth St. Denis and Martha Graham |
| 103. | A linguistic analysis of the comedic novels of Graham Greene and George Orwell |
| 104. | Sculptural theatre: Isamu Noguchi's sets for Martha Graham |
| 105. | Dwelling poetically: Environmental ethics in contemporary fiction (Louise Erdrich, Graham Swift, Cormac McCarthy, Jean Rhys, Dominica) |
| 106. | After modernism: Representations of the past in the novels of Graham Swift |
| 107. | British writers in tropical Africa, 1936-1985: Cultural crossover in the travel and fictional works of Elspeth Huxley, Graham Greene and V. S. and Shiva Naipaul |
| 108. | Apocalyptic metafiction in four British novels (Graham Swift, David Lodge, Dennis Potter, Martin Amis) |
| 109. | From the religious dimension to the spiritual vision in the novels of Graham Greene |
| 110. | 'Wedded to the world': Natural and artificial history in the novels of Graham Swift |
| 111. | Existentialism in the novels of Graham Greene |
| 112. | THE DESTRUCTIVE CHARACTER: WALTER BENJAMIN AND A SITUATIONIST APPROACH TO ENGLISH LITERATURE AND POP MUSIC SINCE THE 1930S (GRAHAM GREENE, COLIN MACINNES, MARXIST CRITICISM, INTERNATIONAL, MASS CULTURE) |
| 113. | MERCY, GRACE, SIN IN THE RELIGIOUS VISION OF GRAHAM GREENE, FLANNERY O'CONNOR, AND WALKER PERCY (UNITED STATES, ENGLAND) |
| 114. | Towards an Integrated Personhood through Suffering: The Disparate Ideologies of Freud, Maritain, and Aquinas and the Power of Analogy in Graham Greene's The Power and the Glory |
| 115. | Billy Graham and the Age of Anxiety |
| 116. | Graham Greene’s Unique Absurd Experience And Novel Creation |
| 117. | Construction Of Englishness:Writing Of Memory In Graham Swift’s Waterland |
| 118. | On The Memory Writing In Graham Swift’s Waterland |
| 119. | Mapping The Spiritual Growth In The Postwar Era |
| 120. | Confusions Of Ethical Identities And Evolution Of Ethical Choices Of Heroines In Graham Swift’s Representative Works |
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