Keyword [Ezra pound]
Result: 101 - 120 | Page: 6 of 8 |
| 101. | Reexaminaion Of Pound’s Poetics Of Chinese Characters |
| 102. | The Study Of Pound’s English Translation From The Perspective Of Interpretative Translation Theory |
| 103. | Freedom Of Translators: A Case Study Of Ezra Pound’s Cathay From The Perspective Of Deconstruction |
| 104. | Translation Of Culture-loaded Words In Pound’s Cathay From The Perspective Of Bassnett’s Cultural Translation Theory |
| 105. | On Ezra Pound’s Ambivalence Towards The Function Of Poetry |
| 106. | Rewriting Under The Influence Of Ideology And Poetics-a Study On Ezra Pound’s Two English Versions Of Daxue |
| 107. | Ezra Pound’s Reshaping Of The Water Image In His English Translation Of Shi Jing·Guo Feng |
| 108. | The Influence Of Differences Between "Yixiang" And "Image" On Pound’s Translation Of Classical Chinese Poems |
| 109. | 'Reality, woven in fictions': Making the world by remaking stories, mythology as metanarrative in Ezra Pound's 'Canto II,' John Gardner's 'Grendel' and Anne Carson's 'Autobiography of Red' |
| 110. | Crossing the divide between East and West, ancient and modern: An interdisciplinary study of the Chinese characters in Ezra Pound's 'The Cantos' |
| 111. | Mythic Pound: An examination of the central place of myth and ritual in the poetry of Ezra Pound |
| 112. | The eye and the ear: Ezra Pound, Brazilian concrete poetry and their paideuma |
| 113. | Subversive technologies: The machine age poetics of F. T. Marinetti, Ezra Pound, and Charles Olson |
| 114. | Form and transcendence: Touching the limits of poetry in Ezra Pound's 'Rock-Drill' and 'Thrones', and Basil Bunting's 'Briggflatts' |
| 115. | Written on water: The poetics of Anglo-American exchange (Ezra Pound, T. S. Eliot, W. H. Auden, Charles Tomlinson) |
| 116. | The literary consequences of the Peace: T. S. Eliot, Ezra Pound, and the Treaty of Versailles |
| 117. | Venice and the digressive invention of the modern: Retrospection's futurity (Italy, Henry James, Ezra Pound) |
| 118. | Social address and the modernist word in Louis Zukofsky, Bruce Andrews, P. Inman (Ezra Pound) |
| 119. | Imagining audiences: American modernism in the age of publicity (Henry James, Ezra Pound, Wallace Stevens) |
| 120. | Textual collisions: The writing process and the modernist experiment (James Joyce, Djuna Barnes, Mina Loy, Ezra Pound, Ireland) |
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