Keyword [English renaissance]
Result: 41 - 60 | Page: 3 of 4 |
| 41. | Reading material [for] performance theater and textuality in the English Renaissance |
| 42. | The trials of romance in the English Renaissance (Sir Philip Sidney, Edmund Spenser, William Shakespeare) |
| 43. | Equity in English Renaissance literature: Thomas More's 'Utopia' and Edmund Spenser's 'The Faerie Queene' |
| 44. | 'The body of this death': Despair and kingship in the English Renaissance |
| 45. | York Bowen's Viola Concerto: A methodology of study |
| 46. | The senex cupiens: Old age and masculinity in Italian and English Renaissance comedy |
| 47. | Vulgar readings in the English Renaissance |
| 48. | Contrary perspective: The image of the Turk in the English Renaissance |
| 49. | Transcending time: Reflections of Eve in English Renaissance tragedies |
| 50. | Chiasmus in English Renaissance literature: The rhetorical, philosophical, and the theological significance of 'X' in Spenser, Donne, Herbert, and Browne |
| 51. | Hafters and crafters: Verbal unruliness and the contest for artistic discourse in the English Renaissance |
| 52. | Best of bedlam: Madness on the English Renaissance stage |
| 53. | 'It's...' Shakespeare: English Renaissance drama and Monty Python |
| 54. | Reader meets book: Textual engagements and the genres of liminality in the English Renaissance |
| 55. | Female negotiations: Wives owning power in English Renaissance drama |
| 56. | Playing alone: Dramatic literature in the English Renaissance (Ben Jonson, John Marston, William Shakespeare) |
| 57. | A reconsideration of 'Christian humanism' in the English Renaissance: Historicizing More, Elyot, and Spenser with a focus on Tudor nationalism |
| 58. | Dictionaries and linguistic self-fashioning in the English Renaissance: The prehistory of cultural literacy |
| 59. | Rhetoric, gender, and property in English Renaissance anatomical and topographical poetry |
| 60. | I. Robert Frost's echoes of other poets. II. The tactile values of Bernard Berenson. III. Speech of touch in the English Renaissance |
|
