Keyword [English Drama]
Result: 21 - 38 | Page: 2 of 2 |
| 21. | Research On The Development Strategy Of School-based English Drama Courses |
| 22. | Mourning men in early English drama |
| 23. | Printing pleasing profit: The crafting of capital selves and sales in early modern, English drama |
| 24. | The rhetoric of bonds, alliances, and identities: Interrogating social networks in early modern English drama |
| 25. | A mirror for the world: Gender, geography, and identity in early modern English drama |
| 26. | Spectacle in early modern English drama |
| 27. | Going Commercial: Agency in 17th Century English Drama |
| 28. | The everyday feast: Recreational consumption and social status in early modern English drama |
| 29. | 'Now mendys oure chere from sorow': The rhetoric of humor in Middle English drama, spiritual instruction, and Chaucerian religious comedy |
| 30. | 'All hayll, all hayll, both blithe and glad': Direct address in early English drama, 1400--1585 |
| 31. | Changing everything: Religious conversion and the limits of individual subjectivity in early modern English drama |
| 32. | Working masculinities in early modern English drama (William Shakespeare) |
| 33. | Staging the children of early modern English drama |
| 34. | Service and subjectivity: The cross-dressed woman in early modern English drama |
| 35. | Angry young people: The working class adolescent in contemporary English drama as portrayed in selected plays by Peter Terson, Barbie Keeffe, Nigel Williams, and Stephen Poliakoff |
| 36. | THE MYTH OF VENICE IN ENGLISH DRAMA OF THE SEVENTEENTH CENTURY (RENAISSANCE) |
| 37. | 'Revenge should have no bounds': Poison and Revenge in Seventeenth Century English Drama |
| 38. | Trafficking women: Interest, desire, and early modern English drama |
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