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Keyword [Edward Albee]
Result: 41 - 60 | Page: 3 of 4
41. The Predicament Of Female Identity Construction In Edward Albee's Three Plays
42. The Complex Of Martha's Fear Of Aging In Who's Afraid Of Virginia Woolf?
43. Recapturing Animality: Liberalism In Edward Albee's Plays
44. Animal Characters And Human Alienation In Edward Albee's Plays
45. A Metadramatic Study On Edward Albee's Tony Award-winning Plays
46. A Study On The Elements Of Absurdist Drama In Who's Afraid Of Virginia Woolf?
47. Research On The Theme Of Edward Albee's Drama
48. Childless women in the plays of William Inge, Tennessee Williams, and Edward Albee
49. Chasing a myth: The formulation of American identity in the plays of Edward Albee
50. The process of directing Edward Albee's 'The Goat or, Who is Sylvia?'
51. The existence of dualistic absurdism: Presented by Albert Camus and generatively absented by Edward Albee
52. Edward Albee's mother characters and the American dream
53. At wit's end: The rhetoric of humor and the ends of talk (James Thurber, Dorothy Parker, Zora Neale Hurston, Edward Albee)
54. Subversive discourses in selected writings of Nathanael West, Tennessee Williams, John Cheever, and Edward Albee
55. The images of masculinity in contemporary American drama: Albee, Shepard, Mamet and Kushner (Sam Shepard, Edward Albee, David Mamet, Tony Kushner)
56. Unseen characters in selected plays of Eugene O'Neill, Tennessee Williams, and Edward Albee
57. Contemporary American writers of desperate survival: Edward Albee, Maya Angelou, Pat Conroy and Leslie Marmon Silko
58. The role of silence in Edward Albee's plays
59. Who troubled the waters? A study of the motif of intrusion in five modern dramatists: John Millington Synge, Eugene O'Neill, Edward Albee, Tennessee Williams, and Harold Pinter
60. PARODIED RITUAL IN THE PLAYS OF EDWARD ALBEE
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