Keyword [Edward Albee] Result: 41 - 60 | Page: 3 of 4 |
41. | The Predicament Of Female Identity Construction In Edward Albee's Three Plays |
42. | The Complex Of Martha's Fear Of Aging In Who's Afraid Of Virginia Woolf? |
43. | Recapturing Animality: Liberalism In Edward Albee's Plays |
44. | Animal Characters And Human Alienation In Edward Albee's Plays |
45. | A Metadramatic Study On Edward Albee's Tony Award-winning Plays |
46. | A Study On The Elements Of Absurdist Drama In Who's Afraid Of Virginia Woolf? |
47. | Research On The Theme Of Edward Albee's Drama |
48. | Childless women in the plays of William Inge, Tennessee Williams, and Edward Albee |
49. | Chasing a myth: The formulation of American identity in the plays of Edward Albee |
50. | The process of directing Edward Albee's 'The Goat or, Who is Sylvia?' |
51. | The existence of dualistic absurdism: Presented by Albert Camus and generatively absented by Edward Albee |
52. | Edward Albee's mother characters and the American dream |
53. | At wit's end: The rhetoric of humor and the ends of talk (James Thurber, Dorothy Parker, Zora Neale Hurston, Edward Albee) |
54. | Subversive discourses in selected writings of Nathanael West, Tennessee Williams, John Cheever, and Edward Albee |
55. | The images of masculinity in contemporary American drama: Albee, Shepard, Mamet and Kushner (Sam Shepard, Edward Albee, David Mamet, Tony Kushner) |
56. | Unseen characters in selected plays of Eugene O'Neill, Tennessee Williams, and Edward Albee |
57. | Contemporary American writers of desperate survival: Edward Albee, Maya Angelou, Pat Conroy and Leslie Marmon Silko |
58. | The role of silence in Edward Albee's plays |
59. | Who troubled the waters? A study of the motif of intrusion in five modern dramatists: John Millington Synge, Eugene O'Neill, Edward Albee, Tennessee Williams, and Harold Pinter |
60. | PARODIED RITUAL IN THE PLAYS OF EDWARD ALBEE |
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