Keyword [Don Juan] Result: 21 - 40 | Page: 2 of 3 |
21. | Opera "Don Giovanni" In The Role Of Don Ottavio Analysis And Interpretation Concerts |
22. | A Brief Exposition On Opera Study And Teaching Practice Of Vocal Music Art Director |
23. | An Analysis Of Zha Liangzheng's Translation Of Don Juan From The Perspective Of Aesthetic Representation Of Style |
24. | Liszt Opera "Don Juan Memory" Research |
25. | The Artistic Analysis Of The Lina Aria In The Opera "Tang Yun" |
26. | On The Creation Of The Musical Image Of Leiborello In Mozart's Opera Don Juan |
27. | A Study On Translating Strategies Of Zha Liangzheng's Version Of Don Juan From The Ideological Perspective |
28. | Practicalness Exploration Of"Singing"and"Performing"of The Ensemble Of Opera Don Juan |
29. | Singing Analysis Of Aria "In Quali Eccessi" |
30. | Ottavio Study The Characterization And Singing Style Opera"Don Giovanni" |
31. | The Artistic Characteristics And Singing Analysis Of Two "Don Juan Serenade" |
32. | The Aria"Madame,Please Look At This List"in The Opera"Don Juan" |
33. | A Study Of "Thick Translation" In Zhu Weiji's Chinese Version Of Don Juan |
34. | The Artistic Characteristics And Singing Analysis Of The Opera "Don Juan" Aria "She Is In Peace" |
35. | Byron and 'The Barbarous... middle age of man': Youth, aging, and midlife in 'Don Juan' |
36. | Byron's 'Don Juan' and Nationalism |
37. | Don Juan in Spanish essays: Miguel de Unamuno, Gregorio Maranon, and Jose Ortega y Gasset |
38. | Don Juan's masked voice: Seduction and truth in Kierkegaard's pseudonymous works (Soren Kierkegard) |
39. | 'Don Juan' and the advertising and advertised Lord Byron |
40. | The integration of symbol, text, and sound in the evolution of three Spanish archetypes, El Cid, Don Juan, and Don Quixote, from original text to opera |
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