Keyword [Dante]
Result: 61 - 80 | Page: 4 of 5 |
| 61. | The Politics of Literary Script: 'De vulgari eloquentia' 1303--1589 |
| 62. | Lady philosophy and the construction of poetic authority in Jean de Meun, Dante, and Chaucer |
| 63. | Language as chaos: Dante's 'Inferno' in the twentieth-century novel (Italy, Elio Vittorini, Ralph Ellison, Claude Simon, Albert Camus, France, Algeria) |
| 64. | Writing medieval lives in Dante and Chaucer |
| 65. | Curiosity and the idle reader: Self-consciousness in Renaissance epic (Dante, Lodovico Ariosto, Italy, Miguel de Cervantes Saavedra, Spain) |
| 66. | The flight of the imagination: Imagination, love and reason in the Italian Renaissance (Dante, Giovanni Boccaccio, Ludvico Ariosto, Marsilio Ficino, Torquato Tasso) |
| 67. | Dramma e dialogo nella 'Commedia' di Dante |
| 68. | Illuminating the 'Comedy': Artistic strategy and rhetoric in Pierpont Morgan Library's MS M676 and Botticelli's 'Dante' |
| 69. | Transcending passages: Dante on the relation of reading to histor |
| 70. | La intertextualidad en la novelistica de Sara Sefchovich y Luis Spota: Los escritores crean a su precursor, Dante (Spanish text, Mexico, Italy) |
| 71. | Dante and the cinema from the silent to the digital era |
| 72. | The genesis of American personalism: The Dantean transcendentalist idealism of W. T. Harri |
| 73. | Identity, pain, and resurrection: Body and soul in Bonvesin da la Riva's 'Book of the Three Scriptures' and Dante's 'Commedia' |
| 74. | The comedy of Hell: Pasolini and Sanguineti's rewritings of Dante's 'Inferno' |
| 75. | Dante Alighieri and Lord Peter Wimsey: Dorothy L. Sayers' two mysteries |
| 76. | Capturing the moment: A cultural history of the Victorian sonnet (David Gray, Alexander Smith, Sydney Dobell, Roger Fenton, Dante Gabriel Rossetti) |
| 77. | 'Soul's Beauty' and 'Body's Beauty': The feminine figures in the poems and paintings of Dante Gabriel Rossetti |
| 78. | Franz Liszt's 'Dante Sonata': The origins, the criticism, a selective musical analysis, and commentary |
| 79. | The geometry of action in Dante's 'Commedia': Lines, circles and angles |
| 80. | Narrative self-consciousness of the marvelous in Virgil, Dante, Ariosto, and Tasso |
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