Keyword [Conventions]
Result: 81 - 100 | Page: 5 of 6 |
| 81. | The roles of the visual in picturebooks: Beyond the conventions of current discourse |
| 82. | Conventions of unconventionality: The rhetoric of reclusion in Kitayama Japanese Five Mountains Literature |
| 83. | Genre and Performance Context at Fiddler's Conventions in North Carolina and Virginia |
| 84. | Select, order, shape: Women's authority and the generic conventions of life-writing in the novels of Anne Bronte |
| 85. | The influence of culture and gender on the creation of law in antebellum Indiana, Ohio, and Kentucky |
| 86. | 'Sospirare, tremare, piangere': Conventions of the body in Italian opera |
| 87. | Reading Acts: The lector and the early Christian audience |
| 88. | Intentions, conventions, rules, and reality |
| 89. | 'London at dinner': Narrating conventions and the Victorian novel |
| 90. | Getting the last word: Suicide and the 'feminine' voice in Renaissance literature (William Shakespeare, Ovid) |
| 91. | Challenging conventions and crossing boundaries: A new tradition of Indonesian theatre from 1968--1978 |
| 92. | The bending of genre: Generic conventions, fiction, and empiricism in the travel narratives of Addison, Defoe, and Smollett (Joseph Addison, Daniel Defoe, Tobias Smollett) |
| 93. | Ekstasis, analysis, and the conventions of response: Ancient rhetoric and contemporary reading |
| 94. | 'Blackness,' womanhood, and identity in Jessie Redmon Fauset's 'Plum Bun: A Novel Without A Moral' and Wallace Thurman's 'The Blacker The Berry' |
| 95. | Minstrel shows and whiteface conventions: The politics of popular discourse and the transformation of Southern humor, 1835-193 |
| 96. | EVOLVING CONVENTIONS IN ITALIAN SERIOUS OPERA: SCENE STRUCTURE IN THE WORKS OF ROSSINI, BELLINI, DONIZETTI, AND VERDI, 1810-1850 |
| 97. | THE CREATIVE FUNCTION OF THE POPULAR ARTS IN THE NOVELS OF THOMAS BERGER |
| 98. | TRADITIONS, CONVENTIONS, INNOVATIONS, EXPLOSIONS, INVERSIONS: THE COMEDY OF MANNERS IN CONTEMPORARY BRITISH DRAMA |
| 99. | A Study Of Parody In Neo-Victorian Fiction |
| 100. | A Study Of American Creators In The Internet Age |
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