Keyword [Conrad]
Result: 161 - 180 | Page: 9 of 10 |
| 161. | Dilemmas Of Conduct And Hybrid Identity In Three Of Joseph Conrad’s Novels |
| 162. | The Study Of Space Writing In Joseph Conrad's Novels |
| 163. | Aesthetics at its end: Late style in the works of Joseph Conrad, Vladimir Nabokov, and W. G. Sebald |
| 164. | Modernizing the mythic figure: Conrad's Marlow as recasting of Chretien's Perceval |
| 165. | Romantic darkness: Critical reflections on enlightenment in Joseph Conrad, Mary Shelley, and William Wordsworth |
| 166. | Revis(it)ing Joseph Conrad's 'Heart of Darkness': Women, symbolism, and resistance |
| 167. | One of us: Joseph Conrad's 'Under Western Eyes' and 'A Personal Record' |
| 168. | 'A luminous halo': Madness and the inexpressible in Joseph Conrad's 'Heart of Darkness' and Virginia Woolf's 'Between the Acts' |
| 169. | What we are: Interpreting personhood in the experimental novels of Conrad, Faulkner, and Naipaul |
| 170. | Strangers in stranger tongues: Vladimir Nabokov and the writing of exile, with reference to Joseph Conrad, Hakob Asadourian, and Roman Jakobson |
| 171. | Polyglot rhetoric and the construction of subjectivity: The effect of doubling, reflection, and thematic patterning in the fiction of Joseph Conrad and Vladimir Nabokov |
| 172. | An interdisciplinary comparison of Joseph Conrad's 'Heart of Darkness' and Barbara Kingsolver's 'The Poisonwood Bible' |
| 173. | Minding the gap: Reading history With Joseph Conrad, Peter Weiss, and W. G. Sebal |
| 174. | Sustained collision: Modernist fictions as forms of attention (Virginia Woolf, Ford Madox Ford, Joseph Conrad, James Joyce, Ireland) |
| 175. | Conrad's modern nomads |
| 176. | Everyday: Literature, modernity, and time (Gustave Flaubert, France, H. G. Wells, Joseph Conrad) |
| 177. | The Regenerative Paradigm: Male Initiations in Joseph Conrad's 'The Nigger of the 'Narcissus'', 'Heart of Darkness ' and 'The Shadow-Line' |
| 178. | The work of humanity: Will to power in the heart of darkness (Joseph Conrad, Friedrich Nietzsche) |
| 179. | The sabatoge of Joseph Conrad's 'The Secret Agent': Hitchcock reads Conrad |
| 180. | The Citizen and the Modernists: Conrad, Woolf, Lewis, and Joyce |
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