Keyword [Claude]
Result: 41 - 60 | Page: 3 of 4 |
| 41. | Cluade Lorrain And The Rediscovery Of English Landscape |
| 42. | The Deconstruction And Reconstruction Of Sound In The Electronic Music Works Of Jean Claude Richette |
| 43. | Research On The Absurdity Of Claude Simon's "Flanders Highway" |
| 44. | Russian musical influences of The Five on piano and vocal works of Claude Debussy |
| 45. | Visions of disorder: Sex and the French Revolution in a suite of erotic drawings by Claude-Louis Desrais |
| 46. | A comparison between the two works for flute, viola, and harp by Toru Takemitsu and Claude Debussy: Influences of Debussy on Takemitsu and similarities between the two composers |
| 47. | 'Darkly carnal life': Primitivism, queerness, and modernism in Claude McKay's Home to Harlem and Banjo: A Story without a Plot |
| 48. | Claude McKay and Freudian critical concepts |
| 49. | The Lutheran hymn 'Ein' feste Burg' in Claude Debussy's Cello Sonata (1915): Motivic variation and structure (France) |
| 50. | 'Getting the Story Crooked': Donald Jay Grout, Claude V. Palisca, and J. Peter Burkholder's 'A History of Western Music', 1960--2009 |
| 51. | A defense of Christian idealism |
| 52. | Squaring the circle: The regulating lines of Claude Bragdon's Theosophic architecture |
| 53. | Telling pictures: The traffic of images in contemporary French fiction (Claude Simon, Georges Perec, Joseph Mankiewicz, Tanguy Viel) |
| 54. | Language as chaos: Dante's 'Inferno' in the twentieth-century novel (Italy, Elio Vittorini, Ralph Ellison, Claude Simon, Albert Camus, France, Algeria) |
| 55. | Le roman comme lieu de rehabilitation et d'idealisation: 'Beaute baroque', de Claude Gauvreau |
| 56. | Music and Art: A Discussion of Performance Practice Issues in Satoshi Yagisawa's 'La Promenade, la femme a l'ombrelle---An Artwork of Claude Monet' |
| 57. | Black Masculinities as Marronage: Claude McKay's Representation of Black Male Subjectivities in Metropolitan Spaces |
| 58. | Claude Simon et Marcel Proust: Lecture d'une 'recherche du temps perdu' simonienne |
| 59. | An investigation of the jeux de timbres in Claude Vivier's 'Orion' and his other instrumental works of 1979--1980 |
| 60. | From history to posterity: The oeuvres completes of Jacques-Francois Blondel and Claude-Nicolas Ledoux (France) |
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